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Publications

In order to document and distribute new research and ideas about American art, the Terra Foundation currently supports publications related to exhibitions and colloquia which have received grants. In addition, the Terra Foundation has initiated an essay prize in partnership with the journal American Art to promote non-U.S. scholarship on American art. In the coming years, the foundation will play a more active role in American art publications in both traditional and electronic formats. 


Prendergast in Italy
 Nancy Mowll Matthews and Elizabeth Kennedy, editors (192 pages with color illustrations, English and Italian editions), 2009
ISBN: 978-1-8589-4483-8 (English) hardcover
ISBN: 978-1-8589-4484-5 (English) softcover
[exh. cat. Williams College Museum of Art, Peggy Guggenheim Collection, The Museum of Fine Arts, Houston, Terra Foundation for American Art]

Contents: Prendergast Sites in Venice (pp. 14–15);  Nancy Mowll Matthews, "Prendergast in Italy" (pp. 17–97); Elizabeth Kennedy with Kimberly J. Nichols, "Expressions of Modernity: The Italian Monotypes" (pp. 99–127); Olga Plaszczewska, "Two Ladies and Venice: Some Views of Art in Maria Konopnicka's Italia and Edith Wharton's Italian Backgrounds" (pp. 129–135); Alessandro del Puppo, "Old Masters, New Stereotypes, Carpaccio as Pathway to Prendergast's Venetian Scenes" (pp. 137–145); Jan Andreas May, "A Terrible Impressionist Mania Now Prevails" Against Modern Art in Venice Around 1900 (pp. 147–159); Carol Clark, "Marking Time in Venice" (pp. 161–169); Checklist of the Italian Works (pp.170–183); Chronology (pp. 184–185).

To order: http://www.merrellpublishers.com

The Eight and American Modernisms
 Elizabeth Kennedy, editor (144 pages, 135 color plates), 2009
ISBN: 978-0-932171-56-6 hardcover
[exh. cat. New Britain Museum of American Art, Milwaukee Art Museum and Terra Foundation for American Art]

Contents: Elizabeth Kennedy, The Eight: "Modern Art of One Kind and Another" (pp. 13–21); Kimberly Orcutt, "The Problem of Arthur B. Davies" (pp. 23–31); Peter John Brownlee,"On a Perpetual Holiday: The Art of William Glackens After The Eight" (pp. 43–51); Sarah Vure, "After the Armory: Robert Henri, Individualism and American Modernisms" (pp. 57–64); Jochen Wierich, "Ernest Lawson: Nostalgia for Landscape" (pp. 77–84); Judith Hansen O'Toole, "George Luks: Rogue, Raconteur, and Realist" (pp. 91–99); Elizabeth Kennedy, "Maurice B. Prendergast: The Modern Spirit" (pp. 109–119); Leo G. Mazow, "Everett Shinn's Time Warp" (pp.129–137); Sarah Vure, "Art Matters: John Sloan, Independence and the Aesthetic Consumer" (pp. 145–153); Chronology: 1907-57 (pp. 165–170); Exhibition Checklist (pp. 171–175).

To order: http://www.press.uchicago.edu

Manifest Destiny/Manifest Responsibility: Environmentalism and the Art of the American Landscape
 Peter John Brownlee with contributions by Michael S. Hogue and Angela Miller (56 pages, 8 color illustrations and 16 color plates), 2008
ISBN: 978-0-9815835-0-1 Paper
[exh. cat. Loyola University Museum of Art, Chicago, and Terra Foundation for American Art]

Essays: Michael S. Hogue, "The Cultural Reputations of Nature in American History: Towards a Geography of Hope" (pp. 11–21); Peter John Brownlee, "Manifest Destiny/Manifest Responsibility: Environmentalism and the Art of the American Landscape" (pp. 23–33); Exhibition checklist (pp.34–37).

To order: http://www.luc.edu/luma/shop/index.html

Portrait of a Lady : peintures et photographies américaines
 Vanessa Lecomte, editor. (144 pages, 70 color illustrations, biligual French/English), 2008
ISBN: 978-0-932171-55-9 cloth
[exh. cat. Musée d'Art Américain Giverny and Musée des beaux-arts de Bordeaux]

Essays: Sarah Burns, "L'avènement de la Femme transatlantique" (pp. 11–25); Olivier Meslay, "L'Américaine, le peintre et le conservateur" (pp. 29–34); Vanessa Lecomte, "Lire entre les lignes" (pp. 61–66); Texts in English, Sarah Burns, "Fashioning the Transatlantic Woman" (pp. 116–124), Olivier Meslay, "The American Woman, the Painter and the Curator" (pp. 125–128); Vanessa lecomte, "Between the Lines" (pp. 129–132)

To order: www.press.uchicago.edu

Art in America: 300 Years of Innovation
 Susan Davidson, editor. (351 pages, black & white and color illustrations, color plates, English, Chinese, Russian and Spanish editions), 2007
ISBN: 10-1-8589-4394-9 English hardcover
ISBN: 13-978-7-5326-2179-8 English paper


Essays: Michael Leja, "Paradoxes in American Art" (pp. 19–41); Margaretta M. Lovell, "Peaceable Kingdoms: Colonization and Rebellion" (pp. 44–55); Patricia Johnston and Jessica Lanier, "The Chinese Presence in Early Amrican Visual Culture" (pp. 82–91); David M. Lubin, "Art in an Age of National Expansion: Genre and Landscape Painting" (pp. 94–107); Elizabeth Kennedy, "The American Cowboy's Destiny" (pp. 140–147);Nancy Mowll Matthews, "Nationalism and Internationalism" (pp. 150–161); Justin Wolff, "The Politics of American Modernism" (pp. 192–209); Anthony W. Lee, "A Brief History of Painting in Chinese America to 1945" (pp. 234–241); Robert Rosenblum, "The Innovative Moment: Postwar American Art" (pp. 244–253); Susan Cross, "Nationalism and Globalism: Issues in American Art, 1980s to the Present" (pp. 296–307); timeline, bibliography and index.

To order: www.amazon.com

Images of the West: Survey Photography in French Collections, 1860–1880
Visions de l’Ouest : photographies de l’exploration américaine, 1860-1880
 François Brunet and Bronwyn Griffith, editors. (136 pages, 100 color illustrations, English and French editions), 2007
ISBN: 978-0-932171-54-2 (English) cloth
ISBN: 978-0-932171-53-5 (French) cloth
[exh. cat. Musée d'Art Américain Giverny]

Essays: ""With the Compliments of F.V. Hayden, Geologist of the United States": Photographic Policies of American Exploration" (pp. 10–31); Mick Gidley, "Out West and in the Studio: Official Photographs of Indians During the Great Survey" (pp. 32–45); Includes bibliographical references and index.

To order: www.press.uchicago.edu (English edition)

Impressionist Giverny: A Colony of Artists, 1885-1915
Giverny impressionniste : une colonie d’artistes, 1885-1915
 Edited by Katherine M. Bourguignon Essays by Nina Lübbren, Kathleen Pyne and Margaret Werth (224 pages, 194 color illustrations, English and French editions), 2007
ISBN: 978-0-932171-52-8 (English) paper
ISBN: 978-0-932171-51-15 (French) paper
[exh. cat. Musée d’Art Américain Giverny/ Terra Foundation for American Art]

Essays: Katherine M. Bourguignon, "Giverny: A Village for Artists" (pp. 17–27); Nina Lübbren, "Breakfast at Monet's: Giverny in the Context of European Artists's Colonies" (pp. 29–43); Kathleen Pyne, "Americans in Giverny: The Meaning of Place" (pp. 45–55); Margaret Werth, "A Long Entwined Effort: Colonizing Giverny" (pp. 57–73).

To order: http://www.press.uchicago.edu (English edition) and www.boutiquedemusees.fr (French edition)

American Artists and the Louvre
 Elizabeth Kennedy and Olivier Meslay, editors (148 pages, 59 color and 11 black & white illustrations, English and French editions), 2006
ISBN (Musée du Louvre): 2-35031-071-X paper
ISBN (éditions Hazan): 2-7541-0097-0 paper
[exh. cat. Musée du Louvre]

Essays: Lois Marie Fink, "Reactions to a French Role in Nineteenth-Century American Art" (pp. 16–29); Olivier Meslay, "Americana Artists in France before the Civil War" (pp. 32–51); Paul Staiti, "American Artists and the July Revolution" (pp. 54–71); Elizabeth Kennedy, "American Artists and the Louvre: an Enduring Legacy" (pp. 74–91).

To order: http://www.amazon.com

Winslow Homer: Poet of the Sea
Winslow Homer : poète des flots
 Sophie Lévy, editor (152 pages, 100 color illustrations, English and French editions), 2006.
ISBN: 0-932171-50-8 (English) paper
ISBN: 0-932171-49-4 (French) paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Eric Shanes, "Winslow Homer: Poet of the Sea" (pp. 12–25); Marc Simpson, "Homer’s Wine Dark Seas" (pp. 26–39); Judith C. Walsh, "Mixing Oil and Water: The Development of Winslow Homer’s Painting" (pp. 40–53).

To order: http://www.press.uchicago.edu (English edition) and www.lepassage-editions.fr (French edition)

L'art américain: Identités d'une nation
 Edited by Veerle Thielemans and Matthias Waschek (191 pages, color and black & white illustrations, French edition only), 2005.
ISBN: 0-932171-47-8 paper
ISBN (Musée du Louvre): 2-35031-004-3
ISBN (Ecole Nationale Supérieure des Beaux-Arts): 2-840566175-1
[symposium papers]

Essays: Neil Harris (pp. 13–14), Olivier Meslay, "Benjamin West entre Philadelphie, Londres et Paris" (pp. 15–41), Timothy Barringer, "Nation, narration et historiographie de la peinture de paysage américaine" (pp. 43–65), Allan Wallach, "La naissace du musée des beaux-arts américain" (pp. 67–83), Christine Savinel, "Le cosmopolitisme de Whistler, Sargent, Wharton et James: une relation critique" (pp. 85–102), Wanda Corn (pp. 105–106), Annie Cohen-Solal, "Quelques acteurs dynamiques du modernisme aux Etats-Unis" (pp. 107–124), Eric de Chassey, "L'impossible deuil de l'expressionnisme abstrait ou comment être un peintre américain après Pollock" (pp. 125–141), Gavin Butt, "Avant-garde et chic: Andy Warhol et la fabrique du dandy américain" (143–157), and Anne Hoorman, "Recherche artistique sur le paysage américain moderne: Heizer, Smithson, Turrell" (pp. 159–172).

To order: http://www.ensba.fr/publications/catalogue

Mary Cassatt: Impressions
 Michel Melot (96 pages, 50 color illustrations, bilingual (French/English), 2005.
ISBN: 0-932171-48-6 paper
ISBN (Le Passage): 2-84742-075-4
[exh. cat. Musée d’Art Américain Giverny]

Essay: Michel Melot, "Mary Cassatt, une artiste entre deux mondes" (pp. 11–39)/"Mary Cassatt, An Artist Between Two Worlds (pp. 84–93)

To order: www.lepassage-editions.fr

Chicago Modern, 1893–1945: Pursuit of the New
 Wendy Greenhouse, Daniel Schulman, and Susan S. Weininger. Edited by Elizabeth Kennedy (distributed by the University of Chicago Press; 175 pages, 133 color and 17 black & white illustrations), 2004.
ISBN: 0-932171-41-9 paper
[exh. cat. Terra Museum of American Art]

Essays: Wendy Greenhouse, "Local Color: Impressionism Comes to Chicago" (pp. 23–37); Daniel Schulman, "‘White City’ and ‘Black Metropolis’: African American Painters in Chicago, 1893–1945" (pp. 39–51); Susan S. Weininger, "Completing the Soul of Chicago: From Urban Realism to Social Concern, 1915–1945" (pp. 53–65); Susan S. Weininger, "Fantasy in Chicago Painting: ‘Real "Crazy," Real Personal, and Real Real’" (pp. 67–78).

To order: http://www.press.uchicago.edu

Edward Hopper. Les années parisiennes, 1906–1910
 Eric Darragon and Richard R. Brettell (95 pages, 56 color illustrations, French edition only), 2004.
ISBN: 0-932171-37-0 paper
ISBN (Le Passage): 2-84742-051-7
[exh. cat. Musée d’Art Américain Giverny]

Essays: Eric Darragon, "L’Amérique d’Edward Hopper" (pp. 8–23); Richard R. Brettell, "Comment Edward Hopper devint en France un peintre américain" (pp. 24–87).

To order: Out of print

Faces of America: Portraits of the Terra Foundation for American Art Collection, 1770–1940
Visages de l’Amérique: le portrait dans la collection de la Terra Foundation for American Art, 1770–1940
 Elizabeth Kennedy and Sophie Lévy (63 pages, 30 color and 15 black & white illustrations, English and French editions), 2004.
ISBN: 0-932171-39-7 (English) paper
ISBN: 0-932171-38-9 (French) paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Sophie Lévy, "In American Eyes: Portraits in the Terra Foundation for American Art Collection" (pp. 8–19); Elizabeth Kennedy, "The Artful Labor of Equality: Lilla Cabot Perry’s Self-Portraits" (pp. 20–29).

Thomas Buford Meteyard: An American among the Nabis/Thomas Buford
Meteyard. Un Américain chez les Nabis
 Nancy Finlay, Bronwyn Griffith, and Nicholas Kilmer (88 pages, 37 illustrations, bilingual (English/French), 2004.
ISBN: 0-932171-44-3 paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Bronwyn A. E. Griffith, "Un Américain chez les Nabis: Thomas Buford Meteyard" (pp. 9–15)/"An American Among the Nabis" (pp. 62–65); Nicholas Kilmer, "Un courrier atlantique. Les débuts de la carrière de Thomas Buford Meteyard: Scituate, Giverny, Scituate, 1888–1906" (pp. 16–39)/"An Atlantic Courier: The Early Career of Thomas Buford Meteyard, Scituate-Giverny-Scituate, 1888–1906" (pp. 66–74); Nancy Finlay, "Les ’Innocents’ de retour au pays. Thomas Buford Meteyard et le livre d’art à Boston dans les années 1890" (pp. 40–61)/"Innocents at Home: Thomas Buford Meteyard and the Boston Book Arts in the 1890s" (pp. 75–82).

Regards sur l’antiaméricanisme: Une histoire culturelle
 Edited by Georgy Katzarov (co-edition with L’Harmattan; 292 pages, texts in French or in English), 2004.
ISBN: 2-7475-5650-6 paper
[symposium papers]

Papers: Leland Deladurantaye, "Le glaive de la liberté. Prolégomènes à une théorie de la bêtise," (pp. 11–27); Marie–Jeanne Rossignol, "Les débuts d’une incompréhension réciproque. Fin de l’alliance franco–américaine et malentendus révolutionnaires, 1789–1800," (pp. 29–39); Beno”t Angelet, "L’archétype de l’Américain pragmatique: Benjamin Franklin," (pp. 41–53); Richard Klein, "Le ‘blanc’ d’Amérique," (pp. 55–62); Kent Jones, "The ‘Punctum’ of American Self–Hatred," (pp. 63–72); Philippe Roger, "Incarnation du Yankee. Sémantique et ethnicité dans l’antiaméricanisme français," (pp. 73–83); Jo‘lle Menrath, "‘Le pied dans le plat.’ ‘Les Images américaines’ dans la littérature française," (pp. 85–93); Serge Margel, "‘America nostra.’ La métaphore philosophique du nouveau continent," (pp. 95–108); Daniel Binswanger, "La tragédie de l’Amérique. Georges Bataille et les figures américaines du don," (pp. 109–122); Nicole Fouché, "Le paradoxe nationaliste dans la critique communiste des stratégies américaines de l’après–guerre. Georges Soria revisité," (pp. 123–136); Camilla Cederna, "Antiaméricanisme et fascisme. Emilio Cecchi, ‘America Amara,’" (pp. 137–150); Anne–Marie Duranton–Crabol, "Le discours antiaméricain de la Nouvelle Droite française, 1970–1980," (pp. 151–168); Peter Szendy, "Le procès du copyright. Statuts de l’œuvre et de l’auteur dans le droit français et le droit américain," (pp. 169–184); Antoine de Baecque, "Crises dans la critique cinématographique en France. L’affaire Hitchcock (1949–1966)," (pp. 185–204); Sylvain Trousselle, "‘Qualité française’ et exception culturelle," (pp. 205–217); Mark Meigs, "Cultural anti–Americanism and the Frenchification of an American City," (pp. 219–231); Judith Ezekiel, "The Construction and Demonization of American Feminism in Contemporary France," (pp. 233–252); Pierre Guerlain, "Antiaméricanisme: passions fixes," (pp. 253–273); Jacques Portes, "Américanisme et antiaméricanisme. Leçons d’hier et réalités d’aujourd’hui," (pp. 275–285).

To order: http://www.editions-harmattan.fr

Thomas Eakins: Painting and Masculinity/Thomas Eakins. Peinture et masculinité
 Edited by Stéphane Guégan and Veerle Thielemans (with the Musée d’Orsay; 129 pages, 23 black & white illustrations, English and French essays), 2003.
ISBN: 0-932171-33-8 paper
[symposium papers]

Papers: Eric Darragon, "Figures de l’artiste en nageur" (pp. 23–32); Hélène Lafont-Couturier, "La diffusion de l’œuvre de Gér™me par la Maison Goupil en France et aux Etats–Unis" (pp. 34–52); Martin Berger, "Thomas Eakins and the Anatomy of Manhood" (pp. 55–73); David Lubin, "Africans, Indians, and Martyrs: Discourses of Defeat and Unmanliness in the Late Portraits of Thomas Eakins" (pp. 75–97); James Smalls, "Les nuances de la masculinité. Différences raciales et désir homoérotique dans l’art d’Eakins et de ses prédécesseurs" (pp. 99–121).

En marge de Hollywood. La première avant-garde cinématographique américaine, 1893–1941
 (with Editions du Centre Pompidou; revised French edition of an American book published by Anthology Film Archives, New York; 235 pages, 100 illustrations), 2003.
ISBN: 0-932171-36-2 paper


Essays: Jan–Christopher Horak, "La première avant-garde cinématographique américaine" (pp. 14–73); Jean–Michel Bouhours and Patrick de Haas, "Du mouvement au film, entre Paris et New York" (pp. 74–91); Kenneth Anger, "Diva de la décadence: ‘Salomé’" (pp. 92–101); Robert Flaherty, "Le tournage de ‘Twenty-Four Dollar Island’" (pp. 102–103); Brian Taves, "Robert Florey et l’avant-garde hollywoodienne" (pp. 104–119); Yann Beauvais, "Watson et Webber: un cinéma hybride" (pp. 120–131); Cecile Starr, "Busby Berkeley et les pionniers américains du cinéma abstrait" (pp. 132–149); Claire Parker and Alexandre Alexeieff, "Un nouveau procédé abstrait" (pp. 150–151); Lauren Rabinovitz, "Mary Ellen Bute" (pp. 152–161); Joseph Cornell, "Monsieur Phot (vu à travers le stéréoscope)" (pp. 162–169); Robert A. Haller, "Herman G. Weinberg: ‘Autumn Fire’" (pp. 170–173); Bruce Posner, "Les grands espaces" (pp. 174–189); Lewis Jacobs, "‘Storm Warning’ et ‘Tree Trunk to Head’" (pp. 190–195); interview excerpt of Tony Reveaux with Sara Kathryn Arledge, "‘Introspection’" (pp. 196–199); R. Bruce Elder, "L’avant-garde américaine: flux et expérience" (pp. 200–218).

To order: http://www.centrepompidou.fr

The People Work: American Perspectives, 1840–1940
Le Travail à l’œuvre: les artistes américains, 1840–1940
 Katherine M. Bourguignon and Elizabeth Kennedy (55 pages, 31 color and 17 black & white illustrations, English and French editions), 2003.
ISBN: 0-932171-29-X (English) paper
ISBN: 0-932171-30-3 (French) paper
[exh. cat. Terra Museum of American Art and Musée d’Art Américain Giverny]

Essays: Katherine M. Bourguignon, "Introduction (depictions of work in modern American society)" (pp. 8–13); Elizabeth Kennedy, "American Images of Labor: The Iconic and The Invisible" (pp. 14–25).

A Transatlantic Avant-Garde: American Artists in Paris, 1918–1939
« Paris, capitale de l’Amérique. » L’avant-garde américaine à Paris, 1918–1939
 Christian Derouet et al. Edited by Sophie Lévy (with the University of California Press, English edition and Editions Adam Biro, French edition; 263 pages, 200 color plates, 45 black & white illustrations), 2003.
ISBN: 0-520-24207-6 (English) paper
ISBN: 0-932171-31-1 (French) paper
[exh. cat. Musée d’Art Américain Giverny and Terra Museum of American Art]

Essays: Kenneth E. Silver, "From ‘Nature Morte’ to Contemporary Plastic Life: Purism, Léger, and the Americans" (pp. 29–42); Jocelyne Rotily, "A Picture of America by Gerald Murphy" (pp. 55–62); Christian Derouet, "The View of Americans in the ‘Cahiers d’Art’ Before 1940" (pp. 81–92); Gail Stavitsky, "Albert Eugene Gallatin and the Paris–New York Connection, 1927–1942" (pp. 105–117); Emmanuelle de l’Ecotais, "Man Ray: An American in Paris" (pp. 139–150); Janine Mileaf, "Boxes, Books, and the ‘Bo”te-en-Valise’" (pp. 163–172); Bronwyn A. E. Griffith, "‘To Be is to Be Perceived’: Portraits of the Avant-Garde in Paris" (pp. 187–201); Christian Derouet, "Albert Eugene Gallatin’s Travel Kit" (pp. 223–231).

To order: http://www.press.uchicago.edu (English edition) and www.amazon.fr (French edition)

An American Point of View: The Daniel J. Terra Collection
Un regard transatlantique. La collection d’art américain de Daniel J. Terra
 Katherine M. Bourguignon and Elizabeth Kennedy (distributed by Hudson Hills Press, English edition and Editions Adam Biro, French edition; 207 pages, 73 color plates, 25 color and black & white illustrations), 2002.
0-932171-27-3 (English) cloth
0-932171-26-5 (French) cloth
[exh. cat. Musée d’Art Américain Giverny and Terra Museum of American Art]

Essays: Elizabeth Kennedy, "A Patriotic Muse: A History of the Daniel J. Terra Collection and the Terra Museum of American Art" (pp. 17–27); Katherine M. Bourguignon, "An American in Giverny: Daniel J. Terra and the Musée d’Art Américain Giverny" (pp. 29–39).

To order: http://www.amazon.com

New York–Paris: Round Trip/Paris–New York: aller-retour
 Bronwyn Griffith and Lee A. Vedder (111 pages, 42 color illustrations, bilingual (English/French), 2002.
ISBN: 0-932171-28-1 paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Lee A. Vedder, "Paris–New York, aller-retour. Une modernité américaine en formation, 1875–1940" (pp. 10–47)/"Paris–New York, Round Trip. American Modernism in the Making, 1875–1940" (pp. 83–97); Bronwyn Griffith, "Paris–New York, aller-retour. Vues transatlantiques: photographies américaines du XXe siècle" (pp. 50–81)/"Paris–New York, Round Trip. Transatlantic Visions: Twentieth–Century American Photographs" (pp. 98–105).

Ambassadors of Progress: American Women Photographers in Paris, 1900–1901
Les Ambassadrices du progrès. Photographes américaines à Paris, 1900–1901
 Bronwyn A. E. Griffith, editor (with the Library of Congress, English edition and Editions Adam Biro, French edition; 199 pages, 77 color plates, 250 black & white illustrations), 2001.
ISBN: 0-932171-22-2 (English) cloth
ISBN: 0-932171-22-2 (English) cloth
[exh. cat. Musée d’Art Américain Giverny and Terra Museum of American Art]

Essays: Bronwyn A. E. Griffith, "‘Dainty and artistic or strong and forceful—just as you wish’: American Women Photographers at the Universal Exposition of 1900" (pp. 12–23); Verna Posever Curtis, "Frances Benjamin Johnston in 1900: Staking the Sisterhood’s Claim in American Photography" (pp. 24–37); Michel Poivert, "A Taste of the Avant-Garde: The Reception of American Women Photographers in Paris (1900–1901)" (pp. 38–50); Andrew Robb, "What Women Have Done: Pictorial Photographs from the Frances Benjamin Johnston Collection, A Conservator’s View" (pp. 129–136).

To order: http://www.upne.com (English edition) and www.amazon.fr (French edition)

Anne Ryan. Collages
 Claudine Armand (71 pages, 40 color illustrations, bilingual (English/French), 2001.
ISBN: 0-932171-24-9 paper
[exh. cat. Musée d’Art Américain Giverny]

Essay: Claudine Armand, "Anne Ryan: Collages" (pp. 6–45 in French; pp. 59–69 in English).

Un atelier à Giverny. Mary et Frederick MacMonnies
 Derrick R. Cartwright, Joyce Henri Robinson, and Mary S. Smart (111 pages, 59 color illustrations, French edition only), 2001.
ISBN: 0-932171-19-2 paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Derrick R. Cartwright, "Au–delà de la nursery. Sphères publiques et privées de la vie de Mary Fairchild MacMonnies Low" (pp. 10–43); Joyce Henri Robinson, "Interlude à Giverny. ‘Le Chevalier Français’ de Frederick MacMonnies" (pp. 46–89); Mary S. Smart, "Mary et Frederick MacMonnies. Jours tranquilles à Giverny" (pp. 92–103).

The Extraordinary and the Everyday: American Perspectives, 1820–1920
L’Héro•que et le quotidien: les artistes américains, 1820–1920
 Derrick R. Cartwright (55 pages, 27 color and 20 black & white illustrations, English and French editions), 2001.
ISBN: 0-932171-17-6 (English) paper
ISBN: 0-932171-18-4 (French) paper
[exh. cat. Musée d’Art Américain Giverny]

Essay: Derrick R. Cartwright, "American Tales" (pp. 15–21).

Milbert, Lesueur, Tocqueville: American Journeys, 1815–1845/ Milbert,
Lesueur, Tocqueville. Le voyage en Amérique, 1815–1845
 Veerle Thielemans, editor (70 pages, 33 color illustrations, bilingual (English/French), 2001.
ISBN: 0-932171-25-7 paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Veerle Thielemans, "L’Amérique: terre d’observation, pays rêvé" (pp. 9–31)/"America: Land of Observation, Land of Vision" (pp. 56–62); Jacqueline Bonnemains, "Charles–Alexandre Lesueur en Amérique, 1816–1837" (pp. 33–43)/"Charles–Alexandre Lesueur in America, 1816–1837" (pp. 63–66); François Brunet, "Images de l’Ouest des explorateurs, 1820–1850" (pp. 45–55)/"Explorers’ Images of the West, 1820–1850" (pp. 66–70).

American Moderns, 1900–1950
L’Amérique et les modernes, 1900–1950
 Derrick R. Cartwright and Paul J. Karlstrom (79 pages, 32 color and 35 black & white illustrations, English and French editions), 2000.
ISBN: 0-932171-15-X (English) paper
ISBN: 0-932171-16-8 (French) paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Derrick R. Cartwright, "We Moderns" (pp. 8–15); Paul J. Karlstrom, "Modernism Through a Wide Angle Lens" (pp. 16–25).

An Interlude in Giverny
 Joyce Henri Robinson, Derrick R. Cartwright, and E. Adina Gordon (with the Palmer Museum of Art, The Pennsylvania State University, University Park, Pennsylvania; 87 pages, 26 color and black & white illustrations), 2000.
ISBN: 0-911209-52-2 paper
[exh. cat. Musée d’Art Américain Giverny]

Essays: Joyce Henri Robinson, "An Interlude in Giverny: ‘The French Chevalier’ by Frederick MacMonnies" (pp. 7–33); Derrick R. Cartwright, "Beyond the Nursery: The Public Careers and Private Spheres of Mary Fairchild MacMonnies Low" (pp. 31–56); E. Adina Gordon, "The Expansion of a Career: Frederick MacMonnies as a Teacher and Painter" (pp. 59–86).

To order: http://www.psu.edu/dept/palmermuseum

First Exposure: The Sketchbooks and Photographs of Theodore Robinson
Theodore Robinson. Esquisses et photographies
 Stephanie Mayer (55 pages, 34 color illustrations, English and French editions), 2000.
ISBN: 0-932171-11-7 (English) paper
ISBN: 0-932171-12-5 (French) paper
[exh. cat. Musée d’Art Américain Giverny and Terra Museum of American Art]

Essays: Stephanie Mayer, "Sketchbook I: Wisconsin, New York, Paris (pp. 12–16; endnotes 50–53); "Sketchbook II: France" (pp. 17–27; endnotes 50–53); "Photographs: France, America" (pp. 28–39; endnotes 50–53); "Sketchbook III: America Again" (pp. 40–47; endnotes 50–53).

Waves and Waterways: American Perspectives, 1850–1900
Rivières et rivages: les artistes américains, 1850–1900
 Derrick R. Cartwright (55 pages, 23 color and 19 black & white illustrations, bilingual (English/French), 2000.
ISBN: 0-932171-13-3 (English) paper
ISBN: 0-932171-14-1 (French) paper
[exh. cat. Musée d’Art Américain Giverny]

Essay: Derrick R. Cartwright, "‘In Ceaseless Flow’: Toward a Poetics of Waves and Waterways" (pp. 15–25).

The City and the Country: American Perspectives, 1870–1920
Ville et campagne: les artistes américains, 1870–1920
 Derrick R. Cartwright (55 pages, 24 color and 24 black & white illustrations, English and French editions), 1999.
ISBN: 0-932171-09-5 (English) paper
ISBN: 0-932171-10-9 (French) paper
[exh. cat. Musée d’Art Américain Giverny and Terra Museum of American Art]

Essay: Derrick R. Cartwright, "Between Hard Places and Rocks: Locating the City and Country in American Art" (pp. 12–22).

Roxy Paine
 Jonathan Fineberg, (39 pages, color illustrations, bilingual (English/French), 1998.
ISBN: 0-932171-08-7 paper
[exh. cat. Musée d’Art Américain Giverny]

Essay: Jonathan Fineberg, "Roxy Paine’s Non-Linear Engineering" (pp. 8–35).

Reclamation and Transformation: Three Self-Taught Chicago Artists
 Tom Patterson (104 pages, 90 color illustrations), 1994.
ISBN: 0-932171-07-9 paper
[exh. cat. Terra Museum of American Art]

Essays: Tom Patterson, "Adhocism in the Post-Mainstream Era: Thoughts on Recycling, Redemption, and the Reconfiguration of the Current Art World" (pp. 11–13); "David Philpot: Redeeming the Tree of Paradise" (pp. 15–33); "Manifesting the World of Mr. Imagination" (pp. 35–63); "Kevin Orth’s Cathedral of the Dreams" (pp. 65–91).

Lasting Impressions: American Painters in France, 1865–1915
Impressions de toujours: les peintres américains en France, 1865–1915
 William H. Gerdts (286 pages, 86 color and 140 black & white illustrations, English and French editions), 1992.
ISBN: 0-932171-05-2 (English) cloth
ISBN: 0-932171-06-0 (French) cloth
[exh. cat. Musée d’Art Américain Giverny]

Essay: William H. Gerdts, "American Art and the French Experience" (pp. 14–124).

Winslow Homer in Gloucester
 D. Scott Atkinson and Jochen Wierich. Edited by Sue Taylor (112 pages, 40 color plates, 40 black & white illustrations), 1990.
ISBN: 0-932171-04-4 paper
[exh. cat. Terra Museum of American Art]

Essays: D. Scott Atkinson, "Winslow Homer in Gloucester 1873: Hymns to an Older America" (pp. 14–29); Jochen Wierich, "Beyond Innocence: Images of Boyhood from Winslow Homer’s First Gloucester Period" (pp. 30–45); D. Scott Atkinson, "Winslow Homer in Gloucester 1880: An Artist Apart" (pp. 46–60).

A Proud Heritage: Two Centuries of American Art
 D. Scott Atkinson et al. Edited by Terry A. Neff (300 pages, 260 color plates), 1987.
ISBN: 0-932171-01-X cloth
[exh. cat. Terra Museum of American Art]

Essays: Judith Russi Kirshner, "Collecting the Image of America: Charles Willson Peale’s ‘The Artist in His Museum’ and Samuel F. B. Morse’s ‘Gallery of the Louvre’" (pp. 10–17); Elizabeth Milroy, "Painting the Image of America: Portraiture and Genre in the 19th Century" (pp. 18–23); D. Scott Atkinson, "Americans in the Landscape" (pp. 24–29); Elizabeth Milroy, "American Impressionism" (pp. 30–35); D. Scott Atkinson, "America and the Modernist Spirit" (pp. 36–41).

Surfaces: Two Decades of Painting in Chicago; Seventies and Eighties
 Judith Russi Kirshner (80 pages, 25 color illustrations), 1987.
ISBN: 0-932171-02-8 paper
[exh. cat. Terra Museum of American Art]

Essay: Judith Russi Kirshner, "Surfaces: Two Decades of Painting in Chicago" (pp. 8–25).

Monotypes by Maurice Prendergast in the Terra Museum of American Art
 Cecily Langdale (159 pages, 52 color and black & white illustrations), 1984.
ISBN: 0-932171-00-1 paper
[exh. cat. Terra Museum of American Art]

Essays: Cecily Langdale, "Maurice Prendergast–Biography" (pp. 9–20); "The Monotypes" (pp. 21–45).