Terra Foundation-supported Events

Lecture: “Witnessing War: Yasuo Kuniyoshi and W. Eugene Smith in Dialogue”

This talk by Tatsiana Zhurauliova, Terra Foundation Postdoctoral Research and Teaching Fellow at the Université Paris Nanterre and Université Paris Diderot, will focus on works by documentary photographer W. Eugene Smith and painter Yasuo Kuniyoshi produced during World War II. Although the two men did not know each other, Kuniyoshi, who was based in the US at the time, collected Smith’s photographs from the Pacific Front, published by American newspapers. The gruesome images that emphasized human suffering on both sides of the conflict informed Kuniyoshi’s understanding of the events abroad and impacted his artistic production during the time. Considered together, Smith’s photographs and Kuniyoshi’s paintings offer a portrait of the war as a human catastrophe that transcends national boundaries and racial constructs, yet they also pose a series of broader questions about the role of images as they circulate in the field of cultural production.

To view the poster, please click here.

Symposium: “Untimely Media / Domestic Techniques: The 60s and 70s between New York and Vienna”

This two-day symposium will examine how artists working in New York and Vienna in the 1960s and 70s turned to “untimely media”—such as textile, wallpaper, and outmoded technologies—as well as “domestic techniques,” artistic engagement with intimate spaces that investigated the domestic sphere. The panels at the symposium will consider material practices, technology, gender and sexuality, display and installation practices, and the artistic use of domestic space. The speakers represent methodologies informed by many fields, from the histories of craft to cultures of display and feminist and queer theory.

For more information, please visit:

https://untimelymedia.univie.ac.at/

 

Collection Loan: Nature’s Nation: American Art and Environment 

The exhibition Nature’s Nation: American Art and Environment explores ecological themes including Industrialization and environmental conservation, as well as shifts in American landscape painting. From the Terra Foundation Collection, two works are exhibited, Sanford Robinson Gifford, Hunter Mountain, Twilight and Martin Johnson Heade, Newburyport Marshes: Approaching Storm.  Organized by  Princeton University Art Museum, this exhibition is on view at the Princeton University Art Museum, October 13, 2018–January 6, 2019; Peabody Essex Museum, February 2, 2019–May 5, 2019; and Crystal Bridges Museum of American Art, May 25, 2019–September 9, 2019.

For more information, please visit:

https://crystalbridges.org

Sanford Robinson Gifford, Hunter Mountain, Twilight, 1866. Terra Foundation for American Art, Daniel J. Terra Collection, 1999.57
Exhibition: Lee Krasner: Living Colour

Organized by The Barbican Centre, this retrospective of Lee Krasner’s (1908–1984) work shines light on the pioneering painter of the New York School. Featuring various media, including painting, drawing, and collage, this exhibition will feature many works that have never been shown in the United Kingdom.

For more information, please visit:

https://www.barbican.org.uk/whats-on/2019/event/lee-krasner-living-colour

Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Collection Loan: Gallery Installation

Since April 2005, the Terra Foundation of American Art has loaned works for display to the Department of American Art at the Art Institute of Chicago (AIC). Works from the collection of the Terra Foundation and works from the Art Institute of Chicago are located together in a suite of galleries, together providing one of the nation’s most comprehensive presentations of American art.

This installation is ongoing, January 2019 to December 2019.

For more information, please visit http://www.artic.edu/collections/art-institute-chicago-and-terra-foundation-american-art.

Beauford Delaney,untitled (Village Street Scene), 1948. Oil on canvas, Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund, 2018.2
Exhibition: Nancy Spero

Organized by Museum Folkwang, this retrospective of Nancy Spero (1926–2009) will consider the artist’s use of the human figure to raise important questions about feminism, gender, and violence. The exhibition will trace Spero’s career, starting with the Paris Black Paintings of the 1960s through her artistic responses to the Vietnam War and her mature work in 1990s and early 2000s. Throughout her career, Spero saw herself as a political artist that used art as a vehicle to engage with social and political issues. In order to capture the scale and scope of Spero’s oeuvre, the exhibition will feature approximately eighty works, including paintings, collages, and prints, and will focus in particular on her works on paper.

For more information, please visit:

https://www.museum-folkwang.de/en/news/exhibitions/future-exhibitions/nancy-spero.html

Collection Loan:William J. Glackens and Pierre-August Renoir: Affinities and Distinctions

From the collection of the Terra Foundation for American Art, Julia’s Sister  by William Glackens is exhibited in William J. Glackens and Pierre-August Renoir: Affinities and Distinctions.  This work is exhibited alongside works by Renoir,  situated in themes of American and European modernism.

This exhibition will be on view at the NSU Art Museum, Fort Lauderdale, Florida, October 21, 2018–May 5, 2019; and the Hunter Museum of American Art, Chattanooga, TN, June 21–September 21, 2019.

 

For more details, please see:  http://www.huntermuseum.org/exhibitions

 

William Glackens, Julia’s Sister, c. 1915, oil on canvas, 32 1/8 x 26 1/8 in. (81.6 x 66.4 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.58
Exhibition: David Smith: Sculpture 1932–1965

This exhibition will present the work of David Smith (1906–1965) through sculptures drawn from four decades, beginning with Smith’s earliest experimental works from the 1930s and ending with his large-scale sculptures of the 1960s, along with a selection of drawings. A key figure in the history of 20th century sculpture, Smith was the first known American artist to work with welded metal. In addition to exploring Smith’s distinctive working of metal, the exhibition will demonstrate his unique fusion of industry and nature and will place a selection of his sculptures in the Yorkshire landscape.

Conference: “Arts Patronage in Modern America”

This interdisciplinary conference will feature papers by emerging and established scholars from around the world whose work addresses US arts patronage from the early twentieth century to the present day.

Two plenaries, by John R. Blakinger (Terra Foundation Visiting Professor of American Art, University of Oxford) and Mary Anne Goley (Founding Director of the Fine Arts Program, US Federal Reserve), are free and open to the public. To register, please visit: https://americanartspatronage.com/registration/.

For more information and to view the full program, please visit: https://americanartspatronage.com/

Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Collection Loan: Marsden Hartley Retrospective

From the collection of the Terra Foundation for American Art, Painting No. 50 by Marsden Hartley is exhibited in Marsden Hartley, a reptrospective of the artist’s work in many forms, with painting exhibited alongside his work as a poet and essayist.  This exhibition will be on view at the Louisiana Museum of Modern Art, Humlebaek, Denmark, September 19, 2019-January 19, 2020

 

For more details, please see:  https://www.louisiana.dk/en/exhibition/marsden-hartley

Marsden Hartley, Painting No. 50, 1914–15, oil on canvas, 47 x 47 in. (119.4 x 119.4 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.61
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99