Terra Foundation-supported Events

Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Collection Loan: Gallery Installation

Since April 2005, the Terra Foundation of American Art has loaned works for display to the Department of American Art at the Art Institute of Chicago (AIC). Works from the collection of the Terra Foundation and works from the Art Institute of Chicago are located together in a suite of galleries, together providing one of the nation’s most comprehensive presentations of American art.

This installation is ongoing, January 2019 to December 2019.

For more information, please visit http://www.artic.edu/collections/art-institute-chicago-and-terra-foundation-american-art.

Beauford Delaney,untitled (Village Street Scene), 1948. Oil on canvas, Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund, 2018.2
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Exhibition: Eternal Light: The Sacred Stained-Glass of Louis Comfort Tiffany

This exhibition examines ecclesiastical windows created by Louis Comfort Tiffany and his workshops between 1880 and 1920. Commissioned by churches across the United States, these works—varying from intimate portraits to monumental triptychs—feature imagery drawn from the Christian religious tradition, illustrated in figurative styles contemporary to the time. In addition to the ecclesiastical windows, the exhibition presents associated objects and ephemera that relate Tiffany’s marketing practices to his artistic innovations.

For more information, please visit:

http://driehausmuseum.org/exhibitions

 

Exhibition: The Making of Husbands: Christina Ramberg in Dialogue

This exhibition presents the work of artist and educator Christina Ramberg in the first substantial monographic presentation of her paintings outside of the United States. Associated with the Chicago Imagists, Ramberg produced a body of comical, formally elegant, and erotically sinister paintings. The exhibition focuses in particular on a selection of Ramberg’s iconic torsi paintings from 1974–1981, a group of tightly cropped, crisply delineated pictures of female torsos bound by varieties of corsets and lingerie. Following Ramberg’s work, the exhibition explores the constructs that structure and shape people’s bodies, movements, minds, and expressions and the impact they have on identity development. To that end, the exhibition also includes a presentation of a few select artists to elaborate on the themes of Ramberg’s oeuvre.

For more information, please visit:

https://www.kw-berlin.de/en/making-husbands-christina-ramberg-dialogue/

Collection Loan: Marsden Hartley Retrospective

From the collection of the Terra Foundation for American Art, Painting No. 50 by Marsden Hartley is exhibited in Marsden Hartley, a retrospective of the artist’s work in many forms, with painting exhibited alongside his work as a poet and essayist.  This exhibition will be on view at the Louisiana Museum of Modern Art, Humlebaek, Denmark, September 19, 2019-January 19, 2020

 

For more details, please see:  https://www.louisiana.dk/en/exhibition/marsden-hartley

Marsden Hartley, Painting No. 50, 1914–15, oil on canvas, 47 x 47 in. (119.4 x 119.4 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.61
Exhibition: Marsden Hartley

This exhibition pays particular attention to Marsden Hartley’s works that have often been overlooked or lesser studied. Ultimately the exhibition frames these paintings, works on paper, and poetry not as “dead ends,” but rather as paths that led Hartley to his most iconic work. As a supplement to the exhibition, there are filmed interviews with living artists who discuss Hartley’s legacy.

For more information, please visit:

https://www.louisiana.dk/en/exhibition/marsden-hartley

Exhibition: Peter Saul: Pop, Funk, Bad Painting and More

Consistently attentive to the chaos of the world, Peter Saul has engaged with some of the most sensitive issues of the 20th and 21st centuries. Covering his career since the late 1950s to the present day, the exhibition brings together more than 70 paintings, many previously unseen, as well as a collection of archival material. Despite the fact that Saul’s work reflects major movements of the 20th century, including Pop, Funk, and Bad Painting, the artist resists such categorizations of his work. Instead, Saul’s defiant style established a new form of historical painting that revolted against standards and served as a model for a generation of painters.

For more information, please visit:

https://www.lesabattoirs.org/expositions/peter-saul

Exhibition: Nancy Spero

Organized by Museum Folkwang, this retrospective of Nancy Spero (1926–2009) considers the artist’s use of the human figure to raise important questions about feminism, gender, and violence. The exhibition traces Spero’s career, starting with the Paris Black Paintings of the 1960s through her artistic responses to the Vietnam War and her mature work in 1990s and early 2000s. Throughout her career, Spero saw herself as a political artist that used art as a vehicle to engage with social and political issues. In order to capture the scale and scope of Spero’s oeuvre, the exhibition features approximately eighty works, including paintings, collages, and prints, and focuses in particular on her works on paper.

For more information, please visit:

https://www.akvarellmuseet.org/en/exhibition/nancy-spero

Exhibition: Gegen Den Strich: Chicago Calling

Kunsthaus Kaufbeuren outside Munich, Germany, presents Gegen Den Strich: Chicago Calling, or “Against the Line: Chicago Calling,” an exhibition showcasing the work of 10 outsider artists—Henry Darger, William Dawson, Lee Godie, Mr. Imagination, Aldo Piacenza, Pauline Simon, Drossos Skyllas, Dr. Charles Smith, Wesley Willis, and Joseph Yoakum—who lived and worked in Chicago.

Overall, the exhibition highlights Chicago’s history of robust recognition and acceptance of self-taught art and artists by unearthing the common themes throughout the artists’ bodies of work in addition to the commingled histories of the curators, dealers, collectors, and appreciators who embraced outsider art genre in Chicago.

The exhibition is curated by Kenneth C. Burkhart (independent curator) and Lisa Stone (Curator of the Roger Brown Study Collection of the School of the Art Institute of Chicago) and was originally presented at Intuit: The Center for Intuitive and Outsider Art from June 29, 2018–February 10, 2019. It travels next to the Collection de l’Art Brut (Lausanne, March 12–August 30, 2020) and the Outsider Art Museum (Amsterdam, October 7, 2020–May 24, 2021).

This exhibition is presented as part of Art Design Chicago. For more information:

GEGEN DEN STRICH: Chicago Calling

Exhibition: Lee Krasner: Living Colour

Organized by The Barbican Centre, this retrospective of Lee Krasner’s (1908–1984) work shines light on the pioneering painter of the New York School. Featuring various media, including painting, drawing, and collage, this exhibition features many works that have never been shown in the United Kingdom.

For more information, please visit:

https://www.schirn.de/en/exhibitions/2019/lee_krasner/

Exhibition: Peter Hujar: Speed of Life

New York-based photographer Peter Hujar (1934–1987) is best known for his downtown nightscapes, erotic nudes, portraits of the city’s notable literati, and images of underground gay nightlife. Peter Hujar: Speed of Life considers the artist’s career, from his apprenticeship in magazine and fashion work in the 1950s and the “radical chic” city of the late 1960s, to the age of AIDS, a disease from which he died in 1987. This exhibition draws on approximately 150 photographs from across the artist’s career to present his rich, nuanced oeuvre and distinct worldview.

For more information, please visit:

http://www.jeudepaume.org/index.php?page=article&idArt=3420