Terra Foundation-supported Events

Exhibitions

Exhibition / Terra Collection Initiative: Atelier 17 and Printmaking in Brazil and the United States, 1900-1950

Co-organized by Museu De Arte Contemporânea da Universidade de São Paulo (MAC-USP), and the Terra Foundation for American Art, this exhibition will be the first presentation of the collection of modern American prints donated by Nelson Rockefeller in 1950, and American prints donated by the collector Lessing J. Rosenwald in 1956.   Atelier 17 and Printmaking in Brazil and the United States, 1900-1950 includes early twentieth-century American prints, contextualized with modern prints by Brazilian artists such as Geraldo de Barros, Fayga Ostrower, and Livio Abramo who had direct ties to Atelier 17.  The exhibition examines the intricate network of international exchange between artists, curators, collectors, and audiences in Brazil and the United States.

Works from the Terra Foundation for American Art:

For more information, please visit:

http://www.mac.usp.br/mac/conteudo/exp/atuais/masterpager.asp

 

Stanley William Hayter, Cinq Personnages, 1946. Engraving, soft-ground etching and scorper, silkscreen (printed in three colors: orange, turquoise-green and red-violet) on thick Kochi paper, Plate: 14 3/4 x 23 7/8 in. (37.5 x 60.6 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1995.37
Exhibition: Gordon Matta-Clark: Mutation in Space

The National Museum of Modern Art Tokyo will present first full-scale retrospective of American artist Gordon Matta-Clark (1943–1978) in Asia. The presentation will include his sculptures, photographs, videos and drawings. Known for “building cuts” projects in which he removed parts of floors and walls from buildings to be demolished, the exhibition will also include his work in street and performance art.

For more information please visit:
http://www.momat.go.jp/english/am/2018/

Exhibition: Christo & Jeanne-Claude: Barrels and The Mastaba

The Serpentine Galleries presents Christo and Jeanne-Claude’s history of barrel artworks. Since 1958, barrels have been a dominant feature of Christo and Jeanne-Claude’s sculptures and installations, which they have erected at varying scales internationally. The exhibition will offer new perspectives on Christo and Jeanne-Claude’s career to the large-scale, wrapped and fabric-based works for which they are best known. Simultaneously, Christo will present The Mastaba (Project for London, Hyde Park, Serpentine Lake), a temporary floating sculpture on The Serpentine lake.

For more information, please visit: http://www.serpentinegalleries.org/exhibitions-events/christo-and-jeanne-claude-barrels-and-mastaba-1958-2018

Exhibition: Anni Albers

Co-organized by the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, and the Tate Modern, London, Anni Albers showcases the multifaceted weaver’s long career. Albers (1899–1994) studied during the 1920s at the Bauhaus School. After emigrating to the United States, with her husband Josef Albers, she taught at Black Mountain College. At the center of her creative achievement are her woven images, characterized by complex textile structures, abstraction, and subtle coloration.

The exhibition is also on view at K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf (June 9–September 9, 2019)

More information is forthcoming.

Exhibition: Anni Albers

Co-organized by the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, and the Tate Modern, London, Anni Albers showcases the multifaceted weaver’s long career. Albers (1899–1994) studied during the 1920s at the Bauhaus School. After emigrating to the United States, with her husband Josef Albers, she taught at Black Mountain College. At the center of her creative achievement are her woven images, characterized by complex textile structures, abstraction, and subtle coloration.

The exhibition is also on view at Tate Modern, London (October 11, 2018–January 27, 2019).

For more information, please visit: https://www.kunstsammlung.de/en/discover/exhibition-preview.html

Exhibition: Irving Penn: Centennial

This major retrospective of the photographs of Irving Penn commemorates the centennial of the artist’s birth, and will be the most comprehensive exhibition of the artist to date. Over the course of his nearly 70-year career, Penn mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail.

This exhibition was also on view at the Metropolitan Museum of Art, New York (April 24–July 30, 2017) and the Grand Palais, Paris, France (September 21, 2017–January 29, 2018). It will subsequently travel to Sao Paulo, Brazil.

For more information, please visit:
https://www.co-berlin.org/en/irving-penn

Exhibition: The Water Lilies: American Abstract Painting and the Last Monet

In 1955, Alfred Barr brought one of Claude Monet’s large Water Lilies panels into the collection of the Museum of Modern Art, in New York, at a time when these great “decorations,” still in the studio in Giverny, were beginning to attract the attention of collectors and museums. Monet was presented at that time as “a bridge between the naturalism of early Impressionism and the highly developed school of Abstract Art” in New York, with his Water Lilies seen in the context of Pollock’s paintings, such as Autumn Rhythm (number 30), 1950. The reception of these later Monet works resonated with American Abstract Expression, then coming into the museum collections. This exhibition includes a selection of some of Monet’s later works and around twenty major paintings by American artists such as Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, Helen Frankenthaler, Morris Louis, Philip Guston, Joan Mitchell, Mark Tobey, Sam Francis, Jean-Paul Riopelle and Ellsworth Kelly.

An international symposium, « Ils ont continué Monet. La réception américaine des Nymphéas,” will be held at the Musée d’Orsay on May 30 & 31 in conjunction with the exhibition. To consult the program and reserve, please visit the Musée d’Orsay website.

For more information, please visit:
http://www.musee-orangerie.fr/en/event/water-lilies-american-abstract-painting-and-last-monet

 

Exhibition: American Masters

This exhibition tells the story of the formation of the National Gallery of Australia’s  American collection. From Abstract Expressionism, Color Field, Pop, Neo-Dada and Photo-Realism, to Conceptual, Land and Performance Art, American Masters examines how a generation of young Americans challenged local traditions and reinvented modern art, inspired by European émigrés including Marcel Duchamp, Henri Matisse, Piet Mondrian and Josef Albers. The international impact of major American artists between the 1940s and 1980s is captured in masterworks by Jackson Pollock, Andy Warhol, Claes Oldenburg, Chuck Close, Donald Judd, Eva Hesse and Louise Bourgeois. Highlights include paintings and works on paper by artists of the New York School and a selection of light works by Dan Flavin, Bruce Nauman, Keith Sonnier and James Turrell.

For more information, please visit: 
https://nga.gov.au/americanmasters/default.cfm

Exhibition: Robert Smithson: Time Crystals

Robert Smithson: Time Crystals is the first exhibition in Australia dedicated to the artist. Best known for his radical land art of the 1960s and early 1970s, Smithson is now widely recognized as one of the most influential artists of the twentieth century. Inspired by ideas of crystalline geometry and non-biological time, he redefined abstraction and challenged art history.

Featuring new research on the artist’s practice, Time Crystals presents sculpture, photography, film, drawings, and texts borrowed from major Australian and international collections. It also includes the most extensive display of Smithson’s manuscript and archival material to date drawn from the Robert Smithson and Nancy Holt Papers at the Smithsonian Institution’s Archives of American Art.

This exhibition is also on view at The University of Queensland (March 10 – July 8, 2018).

For more information, please visit:
https://www.monash.edu/muma/exhibitions/exhibition-archive/2018/Robert-Smithson-Time-Crystals

Exhibition: Music of Color: Sam Gilliam, 1964–1973

The Music of Color presents 50 works by American abstract painter Sam Gilliam from public and private collections in Europe and the United States. The show puts the focus on the years between 1967 and 1973, the period of the greatest radicalism in Gilliam’s oeuvre. Gilliam strove to blur the widely accepted boundary between painting and sculpture, creating works recognized for monumentality and forceful use of color.

For more information, please visit:
https://kunstmuseumbasel.ch/en/exhibitions/2018/gilliam