This international conference will examine the persistent fascination of American and Italian artists with the cultural achievements of ancient Rome and the Renaissance. It seeks to update and broaden understanding of American-Italian cultural relations from the Revolutionary Era through the Cold War by encompassing the diversity of voices and approaches in contemporary transnational scholarship.
Among the topics to be explored are: an investigation of the roles of Italy and the newly built American Academy in Rome in keeping alive classical and Renaissance traditions at the turn of the twentieth century; an examination of the ways in which public commissions of the 1920s and 1930s (including New Deal and Italian Fascist programs) maintained a romance with the Renaissance fresco tradition; and an analysis of the increasing cross-cultural exchange between Italy and the United States in the Cold War era, with the inauguration of the Venice Biennale and the formation of the Peggy Guggenheim gallery.
This event is the companion conference to Hybrid Republicanism: Italy and American Art, 1840–1918, which occurred at the American Academy in Rome in the fall of 2016.
For more information, please visit: