In 1955, Alfred Barr brought one of Claude Monet’s large Water Lilies panels into the collection of the Museum of Modern Art, in New York, at a time when these great “decorations,” still in the studio in Giverny, were beginning to attract the attention of collectors and museums. Monet was presented at that time as “a bridge between the naturalism of early Impressionism and the highly developed school of Abstract Art” in New York, with his Water Lilies seen in the context of Pollock’s paintings, such as Autumn Rhythm (number 30), 1950. The reception of these later Monet works resonated with American Abstract Expression, then coming into the museum collections. This exhibition includes a selection of some of Monet’s later works and around twenty major paintings by American artists such as Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, Helen Frankenthaler, Morris Louis, Philip Guston, Joan Mitchell, Mark Tobey, Sam Francis, Jean-Paul Riopelle and Ellsworth Kelly.
An international symposium, « Ils ont continué Monet. La réception américaine des Nymphéas,” will be held at the Musée d’Orsay on May 30 & 31 in conjunction with the exhibition. To consult the program and reserve, please visit the Musée d’Orsay website.
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