Exhibition/Terra Collection Initiative: Not as the Songs of other Lands: Nineteenth Century Australian and American Landscape Painting
From the collection of the Terra Collection for American Art, fifteen landscapes by American artists are exhibited with landscape works from the collection of the Ian Potter Museum of Art, Melbourne, Australia as Not as the Songs of other Lands: Nineteenth Century Australian and American Landscape Painting. This exhibition examines major themes that informed landscape representation during the long nineteenth century, enabling cross-cultural comparative study.
In conjunction with the exhibition, university courses with visiting lecturers from the U. S. will be held at University of Western Australia and at the University of Melbourne.
The exhibition is on view at Art Gallery of Western Australia, Perth, Australia, July 30, 2016–February 5, 2017 (as Continental Shift: Nineteenth Century American And Australian Landscape Painting) and Ian Potter Museum of Art, Melbourne, Australia, March 14–June 11, 2017.
- Alfred Thompson Bricher, The Sidewheeler “The City of St. Paul” on the Mississippi River, Dubuque, Iowa, 1872
- Thomas Cole, Landscape with Figures: A Scene from “The Last of the Mohicans”, 1826
- Thomas Doughty, In the Adirondacks, c. 1822–30
- Sanford Robinson Gifford, Hunter Mountain, Twilight, 1866
- William Groombridge, View of a Manor House on the Harlem River, New York, 1793
- William Stanley Haseltine, Rocks at Nahant, 1864
- Martin Johnson Heade, Newburyport Marshes: Approaching Storm, c. 1871
- George Inness, Summer, Montclair, 1877
- John Frederick Kensett, Almy Pond, Newport, c. 1857
- John Frederick Kensett, Near Newport, Rhode Island, 1872
- John La Farge, Paradise Valley, 1866–68
- Fitz Henry Lane, Gloucester Harbor, 1856
- Fitz Henry Lane, Brace’s Rock, Brace’s Cove, 1864
- Worthington Whittredge, Indian Encampment, between 1870 and 1876
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