Terra Foundation-supported Events

Conference: “Arts Patronage in Modern America”

This interdisciplinary conference will feature papers by emerging and established scholars from around the world whose work addresses US arts patronage from the early twentieth century to the present day.

Two plenaries, by John R. Blakinger (Terra Foundation Visiting Professor of American Art, University of Oxford) and Mary Anne Goley (Founding Director of the Fine Arts Program, US Federal Reserve), are free and open to the public. To register, please visit: https://americanartspatronage.com/registration/.

For more information and to view the full program, please visit: https://americanartspatronage.com/

Collection Loan: Gallery Installation

Since April 2005, the Terra Foundation of American Art has loaned works for display to the Department of American Art at the Art Institute of Chicago (AIC). Works from the collection of the Terra Foundation and works from the Art Institute of Chicago are located together in a suite of galleries, together providing one of the nation’s most comprehensive presentations of American art.

This installation is ongoing, January 2019 to December 2019.

For more information, please visit http://www.artic.edu/collections/art-institute-chicago-and-terra-foundation-american-art.

Beauford Delaney,untitled (Village Street Scene), 1948. Oil on canvas, Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund, 2018.2
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan for 18 months to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 to the Summer of 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Exhibition: Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan

Organized by the Isamu Noguchi Foundation and Garden Museum in partnership with the Yokohama Museum of Art, Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan focuses on the brief but intense friendship between Isamu Noguchi (1904–1988) and Saburo Hasegawa (1906–1957), which was kindled during Noguchi’s visit to Japan in 1950. Both American-born Noguchi and Japanese-born Hasegawa had complex relationships with Japan and the US. Documenting the artists’ exploration of Japanese art, design, and culture, the exhibition will reveal how they interpreted and drew upon these references in their work.

This exhibition was previously at the Yokohama Art Museum.

For more information, please visit:

https://www.noguchi.org/programs/exhibitions/changing-and-unchanging-things-noguchi-and-hasegawa-postwar-japan

Collection Loan: Documenting Change: Our Climate (Past, Present and Future)

From the Terra Foundation Collection, Frederic Edwin Church’s, The Iceberg is exhibited in Documenting Change: Our Climate (Past, Present and Future), organized by University of Colorado’s  CU Art Museum, Boulder, Colorado. This dialogue between American landscape painting and early scientific photography includes historical photographs from the archives of CU Boulder’s National Snow and Ice Data Center. Our Climate (Past, Present, Future) is the second exhibition in the 2018-19 series Documenting Change. The Iceberg will be exhibited  February 7–July 20, 2019.

For more information, please see:

https://www.colorado.edu/cuartmuseum/exhibitions/currently-view/documenting-change-our-climate-rockies

Frederic Edwin Church, The Iceberg, c. 1875, oil on canvas, 22 x 27 in. (55.9 x 68.6cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1993.6
Exhibition: The American Pre-Raphaelites: Radical Realists

Coinciding with the 200th anniversary of the birth of John Ruskin (1819–1900), an important art critic of the Victorian era, the National Gallery has brought together over 90 works, including paintings, watercolors, and drawings, by American artists who were influenced by Ruskin’s writing. Specifically, the exhibition will explore Ruskin’s significant impact on artists associated with a movement called “American Pre-Raphaelitism,” which peaked between 1857 and 1867 and included American artists such as Thomas Charles Farrer (1839–1891), John William Hill (1812–1879), and Robert J. Pattison (1838–1903). The exhibition will showcase the group’s richly detailed figural compositions, landscapes, and still-life paintings.

For more information, please visit:

https://www.nga.gov/exhibitions/2019/american-pre-raphaelites-radical-realists.html

Exhibition: Alexander Calder: Radical Inventor

Featuring over 100 key works, this exhibition will illuminate Alexander Calder’s (1898–1976) disruption of the conventional hierarchies and boundaries of fine art. This comprehensive exhibition will follow the breadth of Calder’s work through a variety of media, including sculpture, drawing, performance, and jewelry. His art will be complemented by films, photographs, and other documentation that will demonstrate the artist’s unique inventions and situate his works in their contemporary settings.

This exhibition was previously at Montreal Museum of Fine Arts and will travel next to the Smithsonian American Art Museum (September 13, 2019–January 12, 2020).

For more information, please visit:

www.ngv.vic.gov.au/exhibition/alexander-calder/

Exhibition: The Essential Duchamp

The Essential Duchamp presents Marcel Duchamp’s (1887–1968) life and work through the collection of the Philadelphia Museum of Art. The exhibition provides a survey of the artist and emphasizes his sustained efforts to eliminate the boundary between art and life. Traveling to the Tokyo National Museum, National Museum of Modern Art South Korea, and the Art Gallery of New South Whales, this exhibition will be the most comprehensive exhibition dedicated to Duchamp to be presented in these regions.

This exhibition was previously on view at the Tokyo National Museum and National Museum of Modern Art, Korea.

For more information, please visit:

https://www.artgallery.nsw.gov.au/exhibitions/essential-duchamp/

Exhibition: Artists Respond: American Art and the Vietnam War, 1965–1975

This exhibition explores how American artists responded to international conflict during the 1960s and 70s, and how art about the Vietnam War influenced contemporary artistic practice. Works in a variety of media—including painting, sculpture, print, performance, and body art—reveal how artists engaged with ideas of conscience and civic engagement. Art by Dan Flavin (1933–1996), Leon Golub (1922–2004), Philip Guston (1913–1980), Donald Judd (1928–1994), Edward Kienholz (1927–1994), Faith Ringgold (b. 1930), Martha Rosler (b. 1943), Peter Saul (b. 1934), Nancy Spero (1926–2009), and others illustrates how artists addressed violence, power, vulnerability, empathy, sacrifice, mourning, and resistance.

For more information, please visit:

https://americanart.si.edu/exhibitions/vietnam

Exhibition: Nancy Spero

Organized by Museum Folkwang, this retrospective of Nancy Spero (1926–2009) will consider the artist’s use of the human figure to raise important questions about feminism, gender, and violence. The exhibition will trace Spero’s career, starting with the Paris Black Paintings of the 1960s through her artistic responses to the Vietnam War and her mature work in 1990s and early 2000s. Throughout her career, Spero saw herself as a political artist that used art as a vehicle to engage with social and political issues. In order to capture the scale and scope of Spero’s oeuvre, the exhibition will feature approximately eighty works, including paintings, collages, and prints, and will focus in particular on her works on paper.

For more information, please visit:

https://www.museum-folkwang.de/en/news/exhibitions/future-exhibitions/nancy-spero.html

Exhibition: Lee Krasner: Living Colour

Organized by The Barbican Centre, this retrospective of Lee Krasner’s (1908–1984) work shines light on the pioneering painter of the New York School. Featuring various media, including painting, drawing, and collage, this exhibition will feature many works that have never been shown in the United Kingdom.

For more information, please visit:

https://www.barbican.org.uk/whats-on/2019/event/lee-krasner-living-colour

Exhibition: Pattern and Decoration: Ornament as Promise

Co-organized by Ludwig Forum für Internationale Kunst (Ludwig Forum) and the Museum moderner Kunst Stiftung Ludwig Vienna (mumok), Pattern and Decoration: Ornament as Promise provides a comprehensive survey of the Pattern and Decoration movement (1975–1985) in the United States, which emerged among artists committed to feminist causes. This exhibition features works with wallpaper-like patterns, decorative ornamentation, and aggressively colorful compositions. Optimistic and progressive, Pattern and Decoration questioned traditional notions of art while also broaching larger sociopolitical themes in the global art scene.

This exhibition was previously at Ludwig Forum.

For more information, please visit:

https://www.mumok.at/en/events/pattern-and-decoration

Collection Loan: Nature’s Nation: American Art and Environment 

The exhibition Nature’s Nation: American Art and Environment explores ecological themes including Industrialization and environmental conservation, as well as shifts in American landscape painting. From the Terra Foundation Collection, two works are exhibited, Sanford Robinson Gifford, Hunter Mountain, Twilight and Martin Johnson Heade, Newburyport Marshes: Approaching Storm.  Organized by  Princeton University Art Museum, this exhibition is on view at the Princeton University Art Museum, October 13, 2018–January 6, 2019; Peabody Essex Museum, February 2, 2019–May 5, 2019; and Crystal Bridges Museum of American Art, May 25, 2019–September 9, 2019.

For more information, please visit:

https://crystalbridges.org

Sanford Robinson Gifford, Hunter Mountain, Twilight, 1866. Terra Foundation for American Art, Daniel J. Terra Collection, 1999.57
Collection Loan:William J. Glackens and Pierre-August Renoir: Affinities and Distinctions

From the collection of the Terra Foundation for American Art, Julia’s Sister  by William Glackens is exhibited in William J. Glackens and Pierre-August Renoir: Affinities and Distinctions.  This work is exhibited alongside works by Renoir,  situated in themes of American and European modernism.

This exhibition will be on view at the NSU Art Museum, Fort Lauderdale, Florida, October 21, 2018–May 5, 2019; and the Hunter Museum of American Art, Chattanooga, TN, June 21–September 21, 2019.

 

For more details, please see:  http://www.huntermuseum.org/exhibitions

 

William Glackens, Julia’s Sister, c. 1915, oil on canvas, 32 1/8 x 26 1/8 in. (81.6 x 66.4 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.58
Exhibition: WRIGHT MORRIS – L’ESSENCE DU VISIBLE

For the first time in France, this exhibition presents the work of artist Wright Morris (1910–1998). Best known for his novels, Morris also had a distinctive approach to photography, juxtaposing photos (especially of the rural American Midwest) with fictional prose to create “photo-texts”. The complexity and diversity of Morris’s artistic practice will be explored through prints, documents, and books.

For more information, please visit:

https://www.henricartierbresson.org/en/expositions/wright-morris-lessence-visible/

 

 

Exhibition: David Smith: Sculpture 1932–1965

This exhibition will present the work of David Smith (1906–1965) through sculptures drawn from four decades, beginning with Smith’s earliest experimental works from the 1930s and ending with his large-scale sculptures of the 1960s, along with a selection of drawings. A key figure in the history of 20th century sculpture, Smith was the first known American artist to work with welded metal. In addition to exploring Smith’s distinctive working of metal, the exhibition will demonstrate his unique fusion of industry and nature and will place a selection of his sculptures in the Yorkshire landscape.