Terra Foundation-supported Events

Roundtable: “Art vidéo californien”

This roundtable will consider the work of Ilene Segalove and Susan Mogul, two lesser-known artists working in California in the 1970s who renewed the relationship between contemporary art and the entertainment industry. Stand-up comedy, whether on radio or television, offered a model to these artists who, in the wake of their participation in the Feminist Art Program at the California Institute of the Arts, adapted the medium to the concerns of their time.

This event is organized and moderated by Morgan Labar, 2019–20 Terra Foundation Postdoctoral Research Fellow at the Institut national d’histoire de l’art. It will be held in French.

Speakers:

  • Adrienne Boutang (Université de Bourgogne-Franche Comté)
  • Larisa Dryansky (Sorbonne Université)
  • Nelly Quemener (Université Sorbonne Nouvelle)

For more information, please visit: https://agenda.inha.fr/events/art-video-californien-susan-mogul-et-ilene-segalove-en-stand-up-comediennes?nc=eyJpbmRleCI6NiwidG90YWwiOjU3fQ%3D%3D

Collection Loan: Edward Hopper and the American Hotel

Edward Hopper and the American Hotel organized by the Virginia Museum of Fine Arts, Richmond, Virginia, exhibits paintings and works on paper by Edward Hopper alongside rarely seen diaries and postcards.

From the Terra Foundation Collection, two works are exhibited, Edward Hopper, Sierra Madre at Monterrey and Charles Demuth, Rue du Singe qui Pêche.  This exhibition is on view at the Virginia Museum of Fine Arts, Richmond, Virginia, October 26, 2019–February 23, 2020 and Newfields, Indianapolis Museum of Art, Indianapolis, Indiana, June 7–October 25, 2020.

For more information, please visit:

https://discovernewfields.org/exhibitions

Edward Hopper, Sierra Madre at Monterrey, 1943, watercolor with touches of wiping, over a charcoal underdrawing, on heavyweight textured ivory wove watercolor paper, 21 1/4 x 29 3/4 in. (54.0 x 75.6 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1994.18
Terra Collection Initiative: Gallery Installation

A major painting by Thomas Moran from the Terra Foundation for American Art Collection is on loan  to the Ashmolean Museum of Art & Archaeology at the University of Oxford. Autumn Afternoon, the Wissahickon is exhibited in the permanent collection galleries devoted to British landscape painting of the 19th century. In the galleries, works by J. M. W. Turner, John Constable, and Samuel Palmer provide historical and artistic context for Moran’s painting, which was created just two years after the American artist’s visit to the UK.

This painting is on loan in conjunction with the Terra Foundation Visiting Professorships at the University of Oxford. This work will be on view from March 2019 through 2020.

For more information visit: http://www.ashmolean.org/

Thomas Moran, Autumn Afternoon, the Wissahickon, 1864, oil on canvas, 30 1/4 x 45 1/4 in. (76.8 x 114.9 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.99
Terra Collection Initiative: Gallery Installation

Since April 2005, the Terra Foundation of American Art has loaned works for display to the Department of American Art at the Art Institute of Chicago (AIC). Works from the collection of the Terra Foundation and works from the Art Institute of Chicago are located together in a suite of galleries, together providing one of the nation’s most comprehensive presentations of American art.
This installation is ongoing, January 2020 to December 2020.

For more information, please visit: http://www.artic.edu/

Fitz Henry Lane, Brace’s Rock, Brace’s Cove, 1864, oil on canvas, 10 1/4 x 15 1/4 in. (26.0 x 38.7 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.83
Terra Collection Initiative: Our Souls are by Nature Equal to Yours: The Life and Legacy of Judith Sargent Murray

From the Terra Foundation Collection, Portrait of Mrs. John Stevens (Judith Sargent, later Mrs. John Murray) from 1770–72, by John Singleton Copley is exhibited at the Cape Ann Museum.  Co-organized by the Terra Foundation for American Art, the Cape Ann Museum, and The Sargent House Museum, the exhibition Our Souls are by Nature Equal to Yours: The Life and Legacy of Judith Sargent Murray  focuses on the contributions and legacy of writer, philosopher, and woman’s rights advocate Judith Sargent Murray (1751–1820).  The portrait of Judith Sargent Murray is featured alongside manuscripts, letters, and personal artifacts.

The exhibition coincides with the 100th anniversary of the founding of The Sargent House Museum in Gloucester, Massachusetts. Our Souls are by Nature Equal to Yours: The Life and Legacy of Judith Sargent Murray  is on display at the Cape Ann Museum Gloucester, Massachusetts  September 28, 2019–November 8, 2020.  (This exhibition has been extended from an original closing date March 31, 2020)

For more information visit: https://www.capeannmuseum.org/exhibitions/our-souls-are-nature-equal-yours-legacy-judith-sargent-murray/

John Singleton Copley, Portrait of Mrs. John Stevens (Judith Sargent, later Mrs. John Murray), 1770–1772, oil on canvas, 50 x 40 in. (127.0 x 101.6 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 2000.6
Exhibition/Collection Loan: Alexander von Humboldt and the United States: Art, Nature, and Culture

The exhibition positions Prussian naturalist Alexander von Humboldt’s ties to the United States as a crucial factor in the construction of American cultural identity and visual arts. Humboldt’s work influenced many American artists and thinkers in the 19th century. Through a careful selection of paintings, sculpture, works on paper, and selected maps, documents, and natural history artifacts, the exhibition examines Humboldt’s century-long influence on five spheres of American cultural development: the visual arts, sciences, literature, politics, and exploration. Works by many artists of the United States will be featured, including the Gallery of the Louvre by Samuel F.B. Morse from the TFAA collection.

For more information, including re-opening dates and times, please visit:

https://americanart.si.edu/exhibitions/humboldt

Samuel F. B. Morse, Gallery of the Louvre, 1831‒1833, oil on canvas, 73 3/4 x 108 in. (187.3 x 274.3 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1992.51
Exhibition/Terra Collection Initiative: The Studio of Nature, 1860-1910: The Terra Collection in Context

The Studio of Nature, 1860-1910: The Terra Collection in Context (L’atelier de la Nature, 1860-1910. Invitation à la Terra Collection) is co-organized by the Musée des impressionnisme Giverny and the Terra Foundation for American Art. The exhibition  assembles 89 paintings, prints and photographs, including 62 works from the Terra Foundation and works from the collections of the musée des impressionnisme Giverny, the Musée d’Orsay,  the Bibliothèque nationale de France and the Société de Géographie, Paris.

The Studio of Nature, 1860-1910: The Terra Collection in Context will be accompanied by public programming and an exhibition catalogue published in French.

For more information, please visit:

https://www.mdig.fr/en/studio-nature-1860-1910

Martin Johnson Heade, Newburyport Marshes: Approaching Storm, c. 1871, oil on canvas, 15 1/4 x 30 1/8 in. (38.7 x 76.5 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.68
Exhibition: Bruce Nauman

Co-organized by Tate Modern and Stedelijk Museum Amsterdam, this exhibition presents the work of Bruce Nauman (b. 1941). Since the late 1960s, he has continually tested what an artwork can be by reshaping old forms and creating new ones. His works using sound, film, video, and neon have influenced generations of artists.

This is the first major exhibition of his work in London in more than 20 years. It allows visitors to engage with the artist’s universe through immersive installations with a strong emphasis on sound and moving image, as well as poetic sculptures and neon pieces.

For more information, please visit:

https://www.tate.org.uk/whats-on/tate-modern/exhibition/bruce-nauman