To support the catalogue and 2010–2011 project Lyonel Feininger at Harvard, which includes the Berlin and Munich presentations of two complementary exhibitions drawn from Harvard’s extensive collection of work by Feininger. One exhibition is devoted to Feininger’s drawings and watercolors; the other comprises his virtually unknown photographs. The exhibitions offer new assessments of Feininger’s contribution to the exchange of ideas between Europe and the United States in modernism’s formative decades.