To support The Sculpture of Emma Stebbins, an exhibition that will be the first to recognize Stebbins as one of the most significant American sculptors of the nineteenth century and includes nearly all of her 17 extant marble sculptures, many of which will be on public view for the first time in a century. The publication will feature essays exploring Stebbins’s neoclassical sculptures through the lenses of feminist art history, queer studies, ecocriticism, and critical race art history.