To support “Race in the History of Design: Objects, Identity, Methodologies,” a two-day, workshop-style program that brings together ten scholars from the US and Europe to share research on the topic of race in the field of design history, an underexamined area in the study of objects. The program is set to take place at the Centre de Formation et de Seminaires in Remich, Luxembourg.
To support “Reshaping the Field: Arts of the African Diaspora on Display,” a three-day program that aims to re-examine the legacy of exhibitions that have featured art by Black artists in the United States and the United Kingdom.
Krannert Art Museum
To support “Hal Fischer Photographs: Seriality, Sexuality, Semiotics,” a three-day international, interdisciplinary symposium that accompanies a retrospective exhibition at the Krannert Art Museum (KAM) on the conceptual photography of Hal Fischer. The symposium presented at the KAM theater aims to expand dialogue between the visual and the verbal, situating Fischer’s photographic work in a range of contexts.
Patricia & Phillip Frost Art Museum
To support In the Mind’s Eye: Landscapes of Cuba and US/Cuba Cultural Exchange at the Patricia & Philip Frost Art Museum. This exhibition is an exploration of American painters active from 1850 to 1910 whose landscape portrayals of Cuba reflect social, political, and ideological changes in both countries. English- and Spanish-language catalogues accompany the exhibition.
Katonah Museum of Art
To support Arrivals at the Katonah Museum of Art. This exhibition explores a variety of American peoples’ origins and/or arrival stories to the United States. An English-language catalogue accompanies the exhibition.
Harvard Art Museums
To support Devour the Land: War and American Landscape Photography since 1970 at the Harvard Art Museums. This exhibition is an investigation into US military activities and their role as the nation’s leading source of pollution through a presentation of more than 100 photographs that explores issues of militarism, pollution, ecology, public health, land use, feminism, race, and activism. An English-language catalogue accompanies this exhibition.
Museum of Contemporary Art North Miami
To support My name is Maryan, an exhibition to take place at two venues: Museum of Contemporary Art North Miami, and Tel Avi Museum of Art. This retrospective critically examines all periods of the postwar avant-garde artist Maryan. English- and Hebrew-language catalogues accompany the exhibition.
El Museo del Barrio
To support Raphael Montañez Ortiz: Breaking The Limits, an exhibition to take place at two venues: El Museo del Barrio and Museo Tamayo Arte Contemporáneo. This retrospective showcases the work of El Museo’s founder, Raphael Montañez Ortiz, to highlight the fundamental issues in Montañez Ortiz’s production and contextualize them among consumer products made in the United States and abroad. An English- and Spanish-language companion book accompanies the exhibition.
To support Rosemary Mayer, an exhibition to take place at four venues: Swiss Institute, Kunstverein (Dusseldorf), Lenbachhaus, and Spike Island. This survey of the career of Rosemary Mayer explores the artist’s radical experiments in sculpture, paintings, drawing, and performance. An English-language catalogue accompanies the exhibition.
Minneapolis Institute of Art
To support Supernatural America: The Paranormal in American Art at the Minneapolis Institute of Art, the first museum exhibition to examine broadly the centrality of otherworldly concerns and the spectral imagination to American artists. An English-language catalogue accompanies the exhibition.