To support a daily virtual conversation series “The New Social Environment,” in which thinkers from across the arts, the humanities, and the sciences engage in accessible and diverse conversations on the role of art and artists in society. The conversations, which include audience participation, are recorded and archived.
Public Art Fund
To support the Chicago installation of a multi-city exhibition of work by Wendy Red Star, an Oregon-based multimedia artist and member of the Apsáalooke (Crow) nation. Red Star will develop ten to fifteen new works that challenge the representations of Crow people in United States museums following extensive research at museums and archives in Chicago, Boston, and New York City.
To support Karen Lamassonne at the Swiss Institute; KW Institute for Contemporary Art, Berlin; and Medellín Museum of Modern Art in Spain. Organized in collaboration with Karen Lamassonne, the exhibition is the first institutional survey of the Colombian American artist, presenting more than 70 multimedia artworks that span her decades-long career. A bilingual (Spanish/English) catalogue accompanies the exhibition.
Whitney Museum of American Art
To support Edward Hopper’s New York (working title) at the Whitney Museum and the Seoul Museum of Art in Korea. The exhibition brings together more than 200 works along with a trove of little-known personal materials from the Whitney’s newly acquired Sanborn Hopper Archive to offer unprecedented insights into Edward Hopper’s world and his way of working. An English-language catalogue accompanies the exhibition.
Musée des Beaux-Arts de Montréal
To support Designed by Women (working title) at the Musée des Beaux-Arts de Montréal. The exhibition presents a history of American and Canadian women in design from 1870 to 2021, showcasing some 350 artworks and exploring the ways design has propelled social change. A bilingual (French/English) catalogue accompanies the exhibition.
Bard Graduate Center
To support the presentation of Majolica Mania: Transatlantic Pottery in England and the United States, 1850–1915 at a museum in Stoke-on-Trent, England. Comprising 178 works, the traveling exhibition traces the history of majolica from its beginnings in England to its transformation in the United States, where it shaped American decorative arts and visual culture. A three-volume catalogue accompanies the exhibition.
Colby College Museum of Art / Terra Foundation for American Art
To support a three-year Terra Collection-in-Residence loan of four paintings from the Terra Foundation Collection and related programs. Paintings by Frederic Church, George Caleb Bingham, Yasuo Kuniyoshi, and Thomas Hart Benton are installed in the museum’s permanent galleries, expanding opportunities for education and interpretation.
DePaul Art Museum
To support a two-year pilot project to research and develop a community-informed programming model for the museum based on the Stockyard Institute’s practices.
Design Museum of Chicago
To support community-engagement research-and-development activities that will inform engagement strategies for the exhibition Chicago Types: Letterforms for Everyone, which is expected to take place as part of the Terra Foundation initiative Art Design Chicago.
David and Alfred Smart Museum of Art
To support implementation for the traveling exhibition, Bob: Thompson: This House Is Mine, organized by the Colby College Museum of Art, at the Smart Museum of Art.