To support Devour the Land: War and American Landscape Photography since 1970 at the Harvard Art Museums. This exhibition is an investigation into US military activities and their role as the nation’s leading source of pollution through a presentation of more than 100 photographs that explores issues of militarism, pollution, ecology, public health, land use, feminism, race, and activism. An English-language catalogue accompanies this exhibition.
Museum of Contemporary Art North Miami
To support My name is Maryan, an exhibition to take place at two venues: Museum of Contemporary Art North Miami, and Tel Avi Museum of Art. This retrospective critically examines all periods of the postwar avant-garde artist Maryan. English- and Hebrew-language catalogues accompany the exhibition.
El Museo del Barrio
To support Raphael Montañez Ortiz: Breaking The Limits, an exhibition to take place at two venues: El Museo del Barrio and Museo Tamayo Arte Contemporáneo. This retrospective showcases the work of El Museo’s founder, Raphael Montañez Ortiz, to highlight the fundamental issues in Montañez Ortiz’s production and contextualize them among consumer products made in the United States and abroad. An English- and Spanish-language companion book accompanies the exhibition.
Museu de Arte Contemporânea da Universidade de São Paulo
To support “Art Across the Americas: Professorship, Interdisciplinary Workshop, and Conference,” co-organized by the Museu de Arte Contemporânea da Universidade de São Paulo (MAC USP), the Federal University of São Paulo (UNIFESP), the Institute of Philosophy and Humanities of the University of Campinas (IFCH – UNICAMP), and the Pinacoteca do Estado de São Paulo. The program spans three years; each year includes a semester-long graduate student seminar, a workshop, and a conference that addresses one of the following major themes: Indigenous Art in the United States; African American Art; and Immigration and Art in the United States.
Minneapolis Institute of Art
To support Supernatural America: The Paranormal in American Art at the Minneapolis Institute of Art, the first museum exhibition to examine broadly the centrality of otherworldly concerns and the spectral imagination to American artists. An English-language catalogue accompanies the exhibition.
Yale University Art Gallery
To support Mickalene Thomas/Against the Sharp White Background at the Yale University Art Gallery. The exhibition positions Mickalene Thomas in the dual role of artist and curator. The exhibition is the first of its kind, blending Thomas’s work with pre-Civil War-era portraits of African American sitters. An English-language catalogue accompanies the exhibition.
Musée d’Art Moderne de Paris
To support Anni and Jose Albers: Art and Life at the Musée d’Art Moderne de Paris. The exhibition is the first in France to focus on the work and lives of Anni Albers and Josef Albers. English- and French-language catalogues accompany the exhibition.
Musée des Beaux-Arts de Nantes
To support United States of Abstraction: American Artists in France, 1946–1964 at each co-organizing institution: the Musée d’arts de Nantes and the Musée Fabre, Montpellier. The exhibition explores the impact made by American artists on the trajectory of abstract art in France from the 1940s to the 1960s. A French-language catalogue accompanies the exhibition.
Museum für Moderne Kunst
To support Marcel Duchamp: A Revision of the Object at the Museum für Moderne Kunst. The exhibition seeks to answer why Marcel Duchamp’s signature innovations—among the most thoroughly debated iconoclastic artistic strategies of twentieth-century avant-garde art—matter today. German- and English-language catalogues accompany the exhibition.
Patronato Fondo de Arte Contemporaneo, Museo Universitario Arte Contemporáneo
To support Frank Stella: Change and Experimentation at the Museo Universitario Arte Contemporáneo and possibly an additional venue in Mexico. The survey, organized in collaboration with the artist, spans Frank Stella’s career from the late 1950s to the present. A bilingual catalogue in Spanish and English accompanies the exhibition.