To support Jaune Quick-to-See Smith: Memory Map (working title) at the Whitney Museum of American Art, the Modern Art Museum of Fort Worth, Texas, and the Seattle Art Museum. The Whitney Museum presents a retrospective of Jaune Quick-to-See Smith (b. 1940), an enrolled Salish member of the Confederated Salish and Kootenai Nation. Bringing together five decades of Smith’s work, the exhibition explores Smith’s recurring, recognizable motifs and how she has woven together symbols of American capitalism and environmental destruction to offer meaningful criticism of those structures. A catalogue accompanies the exhibition.  

To fund Shelley Niro: 500 Year Itch, a retrospective of work by the New York–born member of the Turtle Clan of the Kanien’kehaka (Mohawk) Nation whose multidisciplinary body of work challenges stereotypical presentations of Indigenous women and girls. The exhibition is co-organized by the National Museum of the American Indian in New York and the Art Gallery of Hamilton (Ontario, Canada), where it will be displayed before travelling to two additional venues. 

To support MONUMENTS, co-organized by LAXART and The Museum of Contemporary Art, Los Angeles (MOCA). The exhibition is made up of newly commissioned and existing contemporary artworks to be displayed alongside fifteen to twenty recently decommissioned monuments, most of which are monuments to the Confederacy. The exhibition’s goal is to show that each of these historical objects has its own life, specific to the community where it is—or was—situated. A scholarly catalogue accompanies the exhibition. 

To support Toshiko Takaezu at the Noguchi Museum, the Cranbrook Museum of Art, and the Museum of Fine Arts, Houston. The exhibition offers a chronological retrospective that charts Takaezu’s student and teaching years, her environmental installations, and the years when she made self-contained glazed pot sculptures as microcosmic environments. A 300-page monograph accompanies the exhibition. 

To support WAMPUM/OTGOÄ, an exhibition that traces the history and legacy of wampum. The exhibition is developed in partnership with Musée du Quai Branly (Paris, France), and is co-presented at the Seneca Art & Culture Center (Victor, NY), and McCord Museum (Montreal, Canada).