To support Meddling in the Museum Redux, a two-day symposium with an evening public event at the Museum of Anthropology at the University of British Columbia in Vancouver, scheduled for May 2024. Meddling in the Museum Redux looks at the way ancestral and contemporary artworks are brought into relation with one another in museums, focusing on the anthropological museology of Indigenous Northwest Pacific art.

To support Disobeying the mandate, interrupting the narrative, amplifying the apparatus, a convening to be held on September 28–29, 2024, organized by the Museo Nacional Thyssen-Bornemisza in partnership with grassroots associations FelipaManuela, Espacio Afro, La Parcería, and Periferia Cimarronas. The convening aims to enable the development of tools and strategies to transform cultural institutions and advance them toward adopting inclusive models in their programming, collections, work teams, and governance systems. There are lectures and talks for the general public, as well as workshops and working sessions with staff from other museums and cultural institutions.

To support Infinite Ecologies Marathon, an interdisciplinary festival of ideas that addresses environmental justice and the role played by culture in catalyzing systemic change, framed around key topics such as biodiversity, human rights, conservation, and reparations. Scheduled over a weekend in July 2024 across the entirety of the Serpentine Galleries’ physical and digital campus, the program addresses wildfires and cultures of fire management from the Pacific coast of the US and Canada. Invited participants include artists, architects, designers, and thinkers such as Torkwase Dyson, Macarena Gómez-Barris, Jack Halberstam, Sky Hopinka, Maya Lin, and Jacolby Satterwhite.

To support Video After Television: Open Circuits Revisited, a three-day series of workshops in May 2024 co-organized by Electronic Arts Intermix (EAI), MoMA, and New York University’s Department of Media, Culture, and Communication, to honor the 50th anniversary of MoMA’s exhibition Open Circuits: An International Conference on the Future of Television. Addressing the historical inequities and exclusions central to mainstream depictions of video and media art history, the gathering recasts these prevailing narratives by complicating the medium’s history and its contemporary practice. ASL interpretation, open captions, audio descriptions, livestreaming, and site accessibility are prioritized to ensure better accessibility.  

To support the final two sessions in June and October 2024 of the multipart convening Towards an Archaeology of the Future, co-organized by the di Rosa Center for Contemporary Art, the California Indian Museum and Cultural Center (CIMCC), and independent curator Gavin Kroeber. Native land stewards, fire ecologists, landscape architects, fire managers, art historians, eco-humanities scholars, survivor community members, environmental justice activists, and contemporary artists will gather to respond to Northern California’s wildfire crisis. The program includes expert-led fire ecology walks, Native land site visits, artist-led field exercises, film screenings, prescribed fire workshops, and roundtables on eco-art, decolonization, and posthumanism. Each session features public programs at the di Rosa Center for Contemporary Art and CIMCC.

To support Black Artists Retreat (Houston Freedmen Town Edition): Black Land Ownership and Space, a four-day convening in May 2024 organized by the Contemporary Arts Museum Houston in partnership with Houston Freedmen’s Town and the City of Houston. The convening will bring together local and national curators, community organizers, and a cohort of Houston-based Black artists, architects, archivists, and urban designers with the aims of expanding awareness of the story of Freedmen’s Town and of exploring the use of art as a vehicle for economic development in Black communities.

To support Networks of Survival, Ecologies of Flourishing, a weeklong convening for artists and academics from different Philippine and Filipinx diasporic contexts, to workshop critical and creative projects that explore themes of social survival and ecological sustainability. The program invites North American–based Filipinx American artists and diasporic artists from Australia and Europe to share their work alongside Philippine-based artists at the Alfredo F. Tadiar Library in San Fernando, La Union, Philippines.