To support “Surrogates: Embodied Histories of Sculpture in the Short 20th Century,” a three-day symposium—organized in collaboration with University of Graz and Museum Brandhorst—exploring how modern sculpture became the locus for impassioned debates about the human, investigating the intersection of corporality, subjectivity, and ideology across four revisionist histories: postcolonial, feminist, queer, and antiracist. The symposium will be shared via a website, livestreaming, and possibly an edited volume.