Cahuilla Basket Weavers, Emil Steffa, and Their Legacies, Benton Museum of Art, Pomona College, Claremont, CA
Reinstallation entitled American Voices: Re-Interpreting the National Collection, Smithsonian American Art Museum, Washington, DC
Collective Vision—Curating in Cohorts, Stanley Museum of Art, Iowa City, IA
Publication entitled The Future Is Indigenous, accompanying a reinstallation of the Native North American Hall, The Field Museum, Chicago, IL
Reinstallation entitled Henry Darger: Behind the Scenes, Intuit: The Center for Intuitive and Outsider Art, Chicago, IL
Reinstallation entitled Facsimile Cabinet of Women Origin Stories, Rebuild Foundation, Chicago, IL
Love is Universal, South Side Community Art Center, Chicago, IL
Reinstallation of Native American Gallery, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN
Reinstallation entitled The New Story of the South: A 20th Anniversary Exhibition, Ogden Museum of Southern Art, New Orleans, LA
Never Settled: American Art from Indigenous Perspectives, Mead Art Museum, Amherst, MA
Reinstallation of National Historic Landmark Buildings Special Collections, Boston Athenæum, Boston, MA
Reinstallation of the Native American and American collections, Peabody Essex Museum, Salem, MA
Reinstallation of the permanent collection, The Norman Rockwell Museum, Stockbridge, MA
Reinstallation entitled Conspicuous Consumption: The Price of Luxury in American Art (1675–1870), Worcester Art Museum, Worcester, MA
American Wing reinstallation, The Baltimore Museum of Art, Baltimore, MD
American Landscapes, David C. Driskell Center, University of Maryland, College Park, MD
Reinstallation of American Southwest art collections, Colby College Museum of Art, Waterville, ME
Art, Music, Feminism & The Mid-Century Quest for Change, Kalamazoo Institute of Arts, Kalamazoo, MI
Reinstallation entitled Re-Imagining Native/American Art, Minneapolis Institute of Art, Minneapolis, MN
Reinstallation entitled FREEDOM: Tougaloo College, Abstract Expressionism and the Civil Rights Movement, Tougaloo College Art Collections, Tougaloo, MS
Reinstallation entitled Leading with Objects: Engaging the Community in Institutional Change, UNC Greensboro, Weatherspoon Art Museum, Greensboro, NC
This Land: American Engagement with the Natural World, Hood Museum of Art, Dartmouth College, Hanover, NH
Reimagining the Brooklyn Museum’s American, Arts of the Americas, and Decorative Arts collections, Brooklyn Museum of Art, Brooklyn, NY
Reinstallation entitled IDENTITY REIMAGINED: Reframing La Colección, El Museo del Barrio, New York, NY
Before Yesterday We Could Fly: An Afrofuturist Period Room, The Metropolitan Museum of Art, New York, NY
Monuments, New-York Historical Society, New York, NY
Shaped by the American Dream: Deaf History through Deaf Art, Rochester Institute of Technology, Rochester, NY
Reinstallation entitled Expanding the Narrative of American Art: Foregrounding Under-represented Stories, Toledo Museum of Art, Toledo, OH
Black Artists of Oregon, Portland Art Museum, Portland, OR
Marisol and Warhol Take New York, The Andy Warhol Museum, Pittsburgh, PA
Reinstallation entitled Higher Ground: A Century of the Visual Arts in East Tennessee, Knoxville Museum of Art, Knoxville, TN
Persevere and Resist: The Strong Black Women of Elizabeth Catlett, Memphis Brooks Museum of Art, Memphis, TN
The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework, Cheekwood Estate & Gardens, Nashville, TN
Reinstallation entitled A New Vision for American Art, Seattle Art Museum, Seattle, WA
Reinstallation entitled (Re)Frame: Haub Family Collection of Western American Art, Tacoma Art Museum, Tacoma, WA