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Person looking at three rows of framed works on a wall.

Something Beautiful: Reframing la Colección, installation view, El Museo del Barrio, New York, New York, May 19, 2023–March 10, 2024. Photo by Matthew Sherman.

Erin Harmon, Post-Historic Landscape, 2013. Gouache, watercolor, flocking on paper; hand-cut and collaged, 22 × 30 in. (55.9 × 76.2 cm). Memphis Brooks Museum of Art, Gift of the artist, 2013.17. © Erin Harmon

Hale A. Woodruff assisted by Robert L. Neal, The Repatriation of the Freed Captives, 1939. Oil on canvas, 71 3/8 x 123 7/8 in. (181.3 x 314.6 cm), Co-stewarded by Terra Foundation for American Art, Daniel J. Terra Art Acquisition Fund, and Art Bridges Foundation. Commissioned by Buell G. Gallagher and George W. Crawford for Talladega College, Savery Library, Alabama. The commission was supported in part by the American Missionary Association of New York (AMA), TCA2025.4, AB.2025.65.

A image of figures working.

José Clemente Orozco, Science, Labor, and Art panel from Call to Revolution and Table of Universal Brotherhood, The New School Mural Cycle, 1930–31, The New School Art Collection. Photo credit: Tom Moore

A multi-colored image with different patterns.

Marsden Hartley (American, 1877–1943), Painting No. 50,1914–15. Oil on canvas, 47 × 47 in. (119.4 × 119.4 cm). Terra Foundation for American Art. Daniel J. Terra Collection, 1999.61 .

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