Alaska Native Heritage Center, Anchorage, Alaska, to support Ataqaanusix Exhibit, a collection reinstallation that focuses on Alaska’s five regional Indigenous cultural groups, 11 subgroups, 22 languages, and more than 220 tribes, $75,000
Anchorage Museum, Anchorage, Alaska, to support the development of As the Plover Flies (a reference to the migratory flight of the Pacific golden plover, or kōlea, which travels between Hawaiʻi and Alaska annually), an exhibition that draws on cultural belongings and contemporary art from the collections of the Anchorage Museum, Honolulu Museum of Art, and Bishop Museum, $75,000
Ashmolean Museum of Art & Archaeology, Oxford, United Kingdom, to support the continued development of a framework and methodology for engaging and building relationships with Native and Indigenous communities in regard to the display, interpretation, and accessibility of the museum’s collection, with particular attention to Powhatan’s Mantle, $75,000
ASU Art Museum, Tempe, Arizona, to support Tierras Reimaginadas/Reimagined Territories: Migration, a collection-based exhibition at the Arizona State University Art Museum featuring loans from the Art Bridges Foundation and the Gochman Family Collection, $75,000
Boston Athenaeum, Boston, Massachusetts, to support the development of Allan Rohan Crite: Neighborhood Liturgy (working title), a collection-based exhibition at the Boston Athenaeum (with a compressed version potentially traveling to an HBCU venue) that focuses on the artistic virtuosity of the community leader, mentor, and artist Allan Rohan Crite, $75,000
Crocker Art Museum, Sacramento, California, to support Black Artists in California: 19th Century to Now, a multimedia collection-based exhibition opening at the Crocker Art Museum after years of community planning and research. Surveying the profound contributions of African American artists to the history of California art, and including thematic sections that cut across time and representation, the project shares archival materials, oral histories, short videos of three living artists, and includes a scholarly catalogue, $75,000
Crystal Bridges Museum of American Art, Bentonville, Arkansas, to support the development, with Native American artists, community members, and academic specialists, of a reinstallation plan for the entirety of Crystal Bridges Museum of American Art’s current galleries in anticipation of the museum’s expansion, $50,000
Delaware Art Museum, Wilmington, Delaware, to support Jazz Age Illustration, a collection-based exhibition at the Delaware Art Museum that surveys the art of popular illustration in the United States between 1919 and 1942, a period marked by increased opportunities in illustration for women and artists of color, $50,000
Des Moines Art Center, Des Moines, Iowa, to support the development of Whisper to a Scream: Women Artists and Minimalism, a collection-based exhibition at the Des Moines Art Center, $63,000
Fine Arts Museums of San Francisco, San Francisco, California, to support the reinstallation of the Fine Arts Museums of San Francisco’s de Young Museum’s permanent exhibition of Native American art after years of planning with a team of Native scholars and an advisory committee, $75,000
Frances Lehman Loeb Art Center, Poughkeepsie, New York, to support planning with a diverse group of advisors for a reinstallation of the Frances Lehman Loeb Art Center’s Founding Galleries, $75,000
Georgia O’Keeffe Museum, Santa Fe, New Mexico, to support Tewa Country: Tewa Interpretations of “O’Keeffe Country,” a collection-based exhibition at the Georgia O’Keeffe Museum co-curated by a collective of Tewa artists, knowledge bearers, and community members that promotes awareness and recognition of Tewa art, culture, and landscapes, $75,000
Gilcrease Museum, Tulsa, Oklahoma, to support the development of rotating exhibitions for the dedicated collection galleries in the Gilcrease Museum’s new facility, $75,000
Minnesota Museum of American Art, Saint Paul, Minnesota, to support Here, Now: Stories of Land and Stars, a collection reinstallation project at the Minnesota Museum of American Art’s newly expanded space in downtown St. Paul, $75,000
Musée des Beaux-Arts de Montréal, Quebec, Canada, to support the reinstallation of the Montreal Museum of Fine Art’s multimedia collection of Inuit arts in two newly designed galleries around the theme of uummaqutik (“essence of life” in Inuktitut), $75,000
Museo de Arte de Puerto Rico, San Juan, Puerto Rico, to support the development, with two guest curators and community representatives, of a conceptual framework for the complete reinstallation of the Museo de Arte de Puerto Rico (San Juan)’s permanent collection galleries to revisit the canon of art in Puerto Rico, $75,000
Museums at Washington and Lee University, Lexington, Virginia, to support Stephanie Shih: LONG TIME NO SEE 好久不見, an exhibition derived from the Museums at Washington and Lee University’s first artist’s residency, $50,000
Museum of Fine Arts, Boston, Massachusetts, to support the collaborative development of new narratives and interpretive frameworks for Revolutionizing Icons: Reimagining the 18th-Century Art of the Americas Galleries at the Museum of Fine Arts, Boston, a reinstallation of the first floor of the Art of the Americas wing, $60,000
National Museum of the American Indian, Washington, D.C., to support a comprehensive visitor and Indigenous advisory group evaluation of an expansive “Belongings” framework and several exhibition subthemes, $75,000
New-York Historical Society, New York, New York, to support the development at the New-York Historical Society of Leading Nations: Gayë́twahgeh and Sagoyewatha (working title), a collection-based exhibition shaped by Haudenosaunee history and culture bearers, $75,000
Nora Eccles Harrison Museum of Art, Logan, Utah, to support the Nora Eccles Harrison Museum of Art at Utah State University’s Intermountain: Cultural Identity, Assimilation, and Repatriation, a collection-based exhibition being shaped by the expertise of Dr. Farina King (a Navajo/Diné author of a book on Intermountain), $72,000
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, to support the continued planning with a diverse advisory group and institutional and community partners for an expansive, multivocal reinstallation and reinterpretation of the Pennsylvania Academy of the Fine Arts’s historic, twentieth-century, and contemporary collections in its Historic Landmark Building, $75,000
Royal Ontario Museum, Toronto, Ontario, Canada, to support a thematic collection reinstallation of the First Peoples Gallery of the Royal Ontario Museum in collaboration with Indigenous curators, cultural leaders, and scholars, $53,000
Shelburne Museum, Shelburne, Vermont, to support the development with Indigenous culture bearers of a two-part inaugural exhibition and accompanying publication of the Shelburne Museum’s Perry Center for Native American Art, $75,000
Smithsonian’s Anacostia Community Museum, Washington, D.C., to support the development at the Smithsonian’s Anacostia Community Museum with community collaborators of The Art of Liberation: Washington, D.C.’s Black Arts Movement of the 1960s–1980s (working title), $75,000
Tacoma Art Museum, Tacoma, Washington, to support long-term collection-based exhibitions at the Tacoma Art Museum under the direction of guest curators who incorporate a variety of contemporary voices and artists from Indigenous, Native American, Chinese American, Mexican, Black, and Arab communities, $50,000
The Detroit Institute of Arts, Detroit, Michigan, to support planning for the reinstallation of the Detroit Institute of Arts’s modern and contemporary art galleries in themes relevant to the Detroit area—including social and environmental justice, gender and sexuality, labor and industrialization, and technology and urbanism, $75,000
The Walters Art Museum, Baltimore, Maryland, to support the development with community focus groups and an advisory committee of Latinx leaders of Time, Place, & Peoples in the Americas / Tiempo, Espacio, y Pueblos de las Américas (working title), $75,000
The Trustees of Reservations, Boston, Massachusetts, to support planning for the reinterpretation of the Native American collections across the more than 120 sites in Massachusetts stewarded by the Trustees of Reservations (the nation’s oldest statewide conservation and historic preservation organization), $34,000
UC Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkely, California, to support the UC Berkeley Art Museum and Pacific Film Archive’s Rooted West: African American Quilts in California After 1940, a collection-based exhibition that traces the flow, keeping, and flourishing of quilts, $75,000
Virginia Museum of Fine Arts, Richmond, Virginia, to support planning for the integration of Indigenous American art into the new American art galleries of the Virginia Museum of Fine Arts’s building expansion and renovation project, $50,000
