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From left to right, moderator Zada Ballew, Christine Rapp-Morseau, Jason Wesaw and David Martin share their experiences with expressing their Potawatomi culture through art. Photo by Aynslee Dellacca / The Observer.
Image: Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
Jessica Winters, born in Makkovik, Nunatsiavut, Newfoundland and Labrador, in 1996, Lichen (Hopedale 1), 2023, Acrylic on canvas, 91,5 x 91,5 cm, MMFA, purchase, the Paradis family fund in memory of Claude Paradis, Photo MMFA.
Big Soldier family (Iowa Tribe) reunited with their grandfather’s breechcloth at First Americans Museum, 2023 [NMAI 027462.000]. Photo by James Pepper Henry.
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Musées partagés octobre 2022. Photo Anne Volery © Palais de la Porte Dorée
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Exchange and Dialogue: Supporting Practice Change in the Field
Read: Exchange and Dialogue: Supporting Practice Change in the Field
Letitia Quesenberry, from the series little darlings, 2014–ongoing, panel, lacquer, photo, wax, resin, 6 x 5 x .25 in each, photo courtesy of the artist
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Detail views of paintings by (left to right): Hisako Hibi, Study for a Self-Portrait, Topaz, Utah, ca. 1944. Japanese American National Museum; Miki Hayakawa, Untitled, ca. 1930s. Collection of Richard Sakai; and Miné Okubo, Portrait Study, ca. 1937. Trustees of the Miné Okubo Art Collection at the Center for Social Justice and Civil Liberties, Riverside Community College District, California.
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A group photo of (front L-R) Councilman Fred Samuel, Mayor Edward I. Koch, Dr. Mary Schmidt Campbell, C. Elaine Parker, Terrance Moan, (rear L-R) Charles A. Shorter, Jr., Commissioner Bess Myerson, Fred Price, circa 1979, courtesy of The Studio Museum in Harlem
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