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Person looking at three rows of framed works on a wall.

Something Beautiful: Reframing la Colección, installation view, El Museo del Barrio, New York, New York, May 19, 2023–March 10, 2024. Photo by Matthew Sherman.

An image of a bird sitting on a tree with pink flowers.

Kerry James Marshall, Black and Part Black Birds in America: (Pigeon and Black Capped Chickadee no 2), 2021. Acrylic on PVC panel in artist's frame, 30 x 24 1/2 x 2 3/4 in. (76.2 x 62.2 x 7 cm), Terra Foundation for American Art, Daniel J. Terra Art Acquisition Fund, 2025.1

Erin Harmon, Post-Historic Landscape, 2013. Gouache, watercolor, flocking on paper; hand-cut and collaged, 22 × 30 in. (55.9 × 76.2 cm). Memphis Brooks Museum of Art, Gift of the artist, 2013.17. © Erin Harmon

Hale A. Woodruff assisted by Robert L. Neal, The Repatriation of the Freed Captives, 1939. Oil on canvas, 71 3/8 x 123 7/8 in. (181.3 x 314.6 cm), Co-stewarded by Terra Foundation for American Art, Daniel J. Terra Art Acquisition Fund, and Art Bridges Foundation. Commissioned by Buell G. Gallagher and George W. Crawford for Talladega College, Savery Library, Alabama. The commission was supported in part by the American Missionary Association of New York (AMA), TCA2025.4, AB.2025.65.

A multi-colored image with different patterns.

Marsden Hartley (American, 1877–1943), Painting No. 50, Berlin, 1914–15. Oil on canvas, 47 × 47 in. (119.4 × 119.4 cm). Terra Foundation for American Art. Daniel J. Terra Collection, 1999.61 .

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