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A group of people looking at a painting on a wall as they walk by at an exhibition.

Installation view, "entre horizontes: Art and Activism Between Chicago and Puerto Rico," MCA Chicago. August 19, 2023 – May 5, 2024. Photo: Ricardo Adame.

Artwork featuring neon lights installed in a gallery space.

Patrick Martinez: America is for Dreamers, a 2017 exhibition at VPAM curated by Pilar Tompkins Rivas with Joseph Valencia, who has assumed the role of Curator of Exhibitions there thanks to the ALAM initiative. Courtesy of VPAM and Charlie James Gallery, photo by Monica Orozco. Artwork © Patrick Martinez

Artwork featuring neon lights installed in a gallery space.

Patrick Martinez: America is for Dreamers, a 2017 exhibition at VPAM curated by Pilar Tompkins Rivas with Joseph Valencia, who has assumed the role of Curator of Exhibitions there thanks to the ALAM initiative. Courtesy of VPAM and Charlie James Gallery, photo by Monica Orozco. Artwork © Patrick Martinez

Installation photograph of an exhibition. Two paintings hang on a blue wall on the left side of the image, and three artworks hang on a white wall on the right side of the image.

Installation of the exhibition FREEDOM: Abstract Expressionism, Tougaloo College and the Civil Rights Movement including, left to right, Albert Eugene Gallatin's Room Space (1937-38) and Arshile Gorky's Mannikin (1931). Photo by Mark Geil

Painting that is primarily red vertical marking painted over an image underneath, which appears only as blue, yellow, and green marks beneath the red.

Alma Thomas, Red Atmosphere, 1973, acrylic on canvas, 35" x 52", Tougaloo College Art Collections, 1973.072, Purchased by Tougaloo College with support from the National Endowment for the Arts

Collage with photographs, blocks of pink and gray, and text, some of which reads Love Is Universal.

Ralph Arnold, Love Sign II, 1995. Collage with found images, acrylic paint, and graphite, image courtesy South Side Community Art Center.

Terra Foundation for American Art
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