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Abstract painting in various shapes and pastel colors, including the words "estoy bien." — Candida Alvarez, Estoy Bien, 2017. Photography by Martin Seck. Image courtesy of the artist and El Museo del Barrio.

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Exhibition Grants

‘In the Middle of Everything’ But Impossible to Categorize: Meet the Relentlessly Experimental Artist Candida Alvarez(opens in a new window)

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Exhibition Grants

Woven Being Interweaves the Complexities of Native Art and Life(opens in a new window)

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Exhibition Grants

At the Whitney, Christine Sun Kim’s Advocacy Is Also Her Art(opens in a new window)

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Exhibition Grants

An Artist Expands the Landscape of Sound(opens in a new window)

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Exhibition Grants

‘The colour of my skin didn’t matter’: exhibition shines light on black artists in postwar Paris(opens in a new window)

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Exhibition Grants

Elizabeth Catlett’s Legacy Lives On At The National Gallery Of Art(opens in a new window)

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Exhibition Grants

At the National Gallery, Elizabeth Catlett’s diversity feels revolutionary(opens in a new window)

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Exhibition Grants

The Shape of Power in American Art(opens in a new window)

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Art Design Chicago

Welcome to Zhegagoynak(opens in a new window)

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Art Design Chicago

Block exhibition Woven Being: Art for Zhegagoynak/Chicagoland highlights Indigenous artists(opens in a new window)

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Three people in a gallery looking at three works of art hanging on a wall. — “Pictures of Belonging” documents the work of three female artists whose careers were deeply affected by prison camps in the United States during World War II.Credit...via Smithsonian American Art Museum; Photo by Albert Ting

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Exhibition Grants

With Their Lives Upended, They Practiced the Art of Resilience(opens in a new window)

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Image of painting featuring a person with a green and white dress. — William Matthew Prior, “Mrs. Nancy Lawson” (1843), oil on canvas (© Shelburne Museum; image courtesy the Shelburne Museum)

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Exhibition Grants

The Invisible Presence of Blackness in American Art(opens in a new window)

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