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A group of people in an art gallery with a person in a blue shirt leading a discussion.

Gallery Talk led by Dr. Kimia Shahi, Assistant Professor, University of Southern California and 2022-23 Fellow at the Center for the Environment, Harvard University, at the Harvard Art Museums featuring Samuel Coleman's Ships Unloading, New York (1868), on loan from the Terra Foundation for American Art. May 3, 2023. Image courtesy of the Harvard Art Museums; © President and Fellows of Harvard College.

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Terra Collection-in-Residence

Terra Collection-in-Residence: Harvard Art Museums

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A group of people look at paintings in a gallery. Four people are seated and one person stands.

A group of people gathered in front of Portrait of a Lady in a Blue Dress (1763) by John Singleton Copley installed alongside objects from the permanent collection of the Georgia Museum of Art. Courtesy Georgia Museum of Art, University of Georgia

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Terra Collection-in-Residence

Terra Collection-in-Residence: Georgia Museum of Art

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A person standing in an art gallery in front of a wall of many different artworks, pointing specifically at one.

Works on paper from the Terra Foundation Art Collection installed at the Museum of Contemporary Art at the University of São Paulo. Photo by Evandro Carlos Nicolau

An art gallery red wall with three different art pieces in a row, featuring two larger objects and a smaller object in between them.

William Merritt Chase's Morning at Breakwater, Shinnecock (c. 1897), installed alongside objects from the collection of the Museum der bildenden Künste Leipzig. Museum der bildenden Künste Leipzig / Photo: PUNCTUM / Alexander Schmidt

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Terra Collection-in-Residence

Terra Collection-in-Residence: Museum der bildenden Künste Leipzig

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Installation photograph of an exhibition. Two paintings hang on a blue wall on the left side of the image, and three artworks hang on a white wall on the right side of the image.

Installation of the exhibition FREEDOM: Abstract Expressionism, Tougaloo College and the Civil Rights Movement including, left to right, Albert Eugene Gallatin's Room Space (1937-38) and Arshile Gorky's Mannikin (1931). Photo by Mark Geil

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Terra Collection-in-Residence

Terra Collection-in-Residence: Tougaloo College

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Installation view of Some American Stories, including Yasuo Kuniyoshi's Boy with Cow (1921) and George Caleb Bingham's The Jolly Flatboatmen (1877-78) at Colby College Museum of Art, Waterville, Maine (September 26, 2024–ongoing). Photo: Luc Demers

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Terra Collection-in-Residence

Terra Collection-in-Residence: Colby College Museum of Art

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A group of people looking at two prints set upon small easels atop a long table.

Ashmolean Museum of Art & Archaeology, Oxford, UK, workshop with the University’s Translator-in-Residence Polly Barton, Curator of Japanese Art Clare Pollard, and Teaching Curator Jim Harris, who brought images by Mary Cassatt, Bertha Lum, and Arthur Dow into dialogue with nineteenth-century Japanese prints, 2023.

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Terra Collection-in-Residence

Terra Collection-in-Residence: Ashmolean Museum

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An image of a girl in red dress. A dog is laying on the ground at her feet.

Ammi Phillips Girl in a Red Dress, c. 1835. Terra Foundation for American Art, Daniel J. Terra Collection, 1992.57

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Terra Collection-in-Residence

Terra Collection-in-Residence: Ackland Art Museum’s Triple Take

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An image of a painting of a person on a farm with a cow.

Yasuo Kuniyoshi, Boy with Cow, 1921. Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund, 2017.1

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Terra Collection-in-Residence

In the Galleries: Interpretations of Yasuo Kuniyoshi’s Boy with Cow

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