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Terra Collection-in-Residence: The National Gallery, London
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The Smart Museum of Art’s two Academic Engagement Graduate Assistants examine Romare Bearden's work After Church (1941) during a viewing of Terra Foundation Collection objects for Smart Museum staff members in the Education Study Room. Photo courtesy of Cooper Long.
Kerry James Marshall, Black and Part Black Birds in America: (Pigeon and Black Capped Chickadee no 2), 2021. Acrylic on PVC panel in artist's frame, 30 x 24 1/2 x 2 3/4 in. (76.2 x 62.2 x 7 cm), Terra Foundation for American Art, Daniel J. Terra Art Acquisition Fund, 2025.1
Hale A. Woodruff assisted by Robert L. Neal, The Repatriation of the Freed Captives, 1939. Oil on canvas, 71 3/8 x 123 7/8 in. (181.3 x 314.6 cm), Co-stewarded by Terra Foundation for American Art, Daniel J. Terra Art Acquisition Fund, and Art Bridges Foundation. Commissioned by Buell G. Gallagher and George W. Crawford for Talladega College, Savery Library, Alabama. The commission was supported in part by the American Missionary Association of New York (AMA), TCA2025.4, AB.2025.65.
José Clemente Orozco, Science, Labor, and Art panel from Call to Revolution and Table of Universal Brotherhood, The New School Mural Cycle, 1930–31, The New School Art Collection. Photo credit: Tom Moore
Gallery Talk led by Dr. Kimia Shahi, Assistant Professor, University of Southern California and 2022-23 Fellow at the Center for the Environment, Harvard University, at the Harvard Art Museums featuring Samuel Coleman's Ships Unloading, New York (1868), on loan from the Terra Foundation for American Art. May 3, 2023. Image courtesy of the Harvard Art Museums; © President and Fellows of Harvard College.
A group of people gathered in front of Portrait of a Lady in a Blue Dress (1763) by John Singleton Copley installed alongside objects from the permanent collection of the Georgia Museum of Art. Courtesy Georgia Museum of Art, University of Georgia
Works on paper from the Terra Foundation Art Collection installed at the Museum of Contemporary Art at the University of São Paulo. Photo by Evandro Carlos Nicolau
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Terra Collection-in-Residence
Terra Collection-in-Residence: Museum of Contemporary Art at the University of São Paulo
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William Merritt Chase's Morning at Breakwater, Shinnecock (c. 1897), installed alongside objects from the collection of the Museum der bildenden Künste Leipzig. Museum der bildenden Künste Leipzig / Photo: PUNCTUM / Alexander Schmidt
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Terra Collection-in-Residence
Terra Collection-in-Residence: Museum der bildenden Künste Leipzig
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Installation of the exhibition FREEDOM: Abstract Expressionism, Tougaloo College and the Civil Rights Movement including, left to right, Albert Eugene Gallatin's Room Space (1937-38) and Arshile Gorky's Mannikin (1931). Photo by Mark Geil