“As we’ve sought funding for Woven Being, we have aimed to center our project values of reciprocity, collaboration, and dialogue in our grantwriting. In several instances, this has required conversations with our sponsors to find common ground and to request flexibility in their grant guidelines.
“One of these areas of conversation has been in defining the concept of place. For instance, one of our sponsors, the Terra Foundation for American Art’s Art Design Chicago initiative, specifies a local focus, which has a nuanced meaning in our context. While our project does focus on the Indigenous art histories of Chicagoland, those histories include people who have been removed from their ancestral homelands, so we need to allocate time and money for travel to communities that now reside at a distance from Chicago, exceeding the grant program’s anticipated budget guidelines in this area. The foundation has been understanding in these discussions, as it recently adopted a new mission dedicated to expanding American art narratives, and has been working to reimagine its practices to match. ‘We realize the importance of considering not only the contents of projects we support, but also how they are developed,’ Senior Program Director Jennifer Siegenthaler told us. As we begin to approach additional national funders, we are preparing for further conversations about place as well as sovereignty. For example, we have discussed the fact that partnerships with sovereign tribal nations may require that grantmakers reconsider concepts embedded in their guidelines of ‘American,’ ‘national,’ or ‘international’ exhibition projects.”
Read the full essay “In Good Relation: Reimagining the Grant Process for Community-Based Projects” on the Block Museum’s blog. The essay was originally published by American Alliance of Museums (March 31, 2023).