The audio and video resources featured below (displayed chronologically, most recent first) provide access to a wide range of Terra Foundation-supported events, including presentations by leading international scholars of American art and visual culture on an array of current topics.
Scholars Anne Lafont (L) and Steven Nelson participate in the 2018 dialogue “A Conflicted Geography: African American Artists & African Diaspora” at the Terra Foundation Paris Center & Library.
Scholars Olivier Gabet (L) and Glenn Adamson participate in the 2017 dialogue “Undoing Borders between Art, Craft, and Design in the Museum Today” at the Terra Foundation Paris Center & Library.
Jan Van der Stock presents at the February 2016 dialogue “In Search of Utopia: The New World in the European Imaginary” at the Terra Foundation Paris Center & Library.
(L to R) Jerzy Kutnik, Robert Westerfelhaus, and Edyta Frelik kick off the symposium “Wordstruck: American Artists as Readers, Writers & Literati,” at Maria Curie-Skłodowska University, in Lublin, Poland.
Michael Fried and Cyril Crignon in dialogue at the Terra Foundation Paris Center & Library, November 2014.
S. Hollis Clayson (left) and Judith Barter were among the scholars who gathered in Giverny to participate in the 2014 international symposium "L’Impressionnisme et la Politique."
Audio & Video
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“Addressing Sexuality, Gender, and the Decorative since the 1970s: Lari Pittman & David J. Getsy” -
“Toward a Transnational Approach to American Art: Isamu Noguchi in India and Beyond” -
“Art vidéo californien” at Institut national d’histoire de l’art -
“Walker Evans and Renewals of American Documentary” -
“American Art in the 1940s: Global Currents, Local Tides. A Study Day in Memory of Professor François Brunet” at Institut national d’histoire de l’art & Université Paris Diderot -
“Dorothea Lange, photographe documentaire” at Terra Foundation Paris Center & Library -
“Art, Life & Politics: American Printmaking from the 1960s to Today” at Fondation Custodia -
“The Body of a Nation” Lecture Series at University of Oxford -
“A Conflicted Geography: African American Artists & African Diaspora” at Terra Foundation Paris Center & Library -
“Clement Greenberg Translated” at Terra Foundation Paris Center & Library -
“Women Inside and Outside the Grid: New Approaches to Modernist Sculpture” at Terra Foundation Paris Center & Library -
“The Course of Empires: American-Italian Cultural Relations, 1770–1980” at Smithsonian American Art Museum -
“A Different Way to Move: Minimalisms, New York, 1960–1980” at Terra Foundation Paris Center & Library -
“No Representation without Circulation: An Alternative History of American Visual Culture” at Collège Franco-Britannique -
“Frozen in History: The Arrival of the Kennedys at Love Field” by David Lubin -
“Painting Artists’ Studios in the Late Nineteenth Century: William Merritt Chase (1849–1916) in Context” at Terra Foundation Paris Center & Library -
“The Ashcan Goes to War: George Bellows, Belligerence, and the Rape of Belgium” by David Lubin -
“Buried Treasure: America’s Great Book Illustrator Howard Pyle and the Silver Screen” by David Lubin -
“Riding into History, Marching into Oblivion: The Civil War, Racial Justice, and the Shaw Memorial” by David Lubin -
“Undoing Borders between Art, Craft, and Design in the Museum Today” at Terra Foundation Paris Center & Library -
“Grand Illusions: American Art and the First World War” at Terra Foundation Paris Center & Library -
“The Color Line” at Terra Foundation Paris Center & Library -
“Hybrid Republicanism: Italy and American Art, 1840–1918” at American Academy in Rome -
“Colonization & Wilderness: Nineteenth-Century American and Australian Landscape Painting” at Art Gallery of Western Australia -
“Rethinking Pictures: A Transatlantic Dialogue” at Terra Foundation Paris Center & Library and DFK Paris -
“Mondriaan into Mondrian: Paris to New York” at Terra Foundation Paris Center & Library -
“‘Holland Mania’: American Taste, Collecting, and Travel in the Gilded Age” at Terra Foundation Paris Center & Library -
“The American West: A French Appropriation” at Institut National d’Histoire de l’Art -
“The Archives of American Art from A to Z” at Institut National d’Histoire de l’Art -
“‘Delirious New Amsterdam’: Art, Material Culture, and Circulation in New York and the Colonial Atlantic World” at Terra Foundation Paris Center & Library -
“Arthur Dove: Water, Wind, Metal” by Rachael Z. DeLue -
“In Search of Utopia: The New World in the European Imaginary” at Terra Foundation Paris Center & Library -
Terra Foundation Artbeat Specials on Chicago Tonight -
“Art, Empire, and History: A Transatlantic Conversation on Thomas Cole” at Terra Foundation Paris Center & Library -
“Shifting Terrain: Mapping a Transnational American Art History” at Smithsonian American Art Museum -
“Wild Noise: Art in Times of Change” at Museo Nacional de Bellas Artes -
“Crash and Burn: Destruction in American Art” at Courtauld Institute of Art -
“Wordstruck: American Artists as Readers, Writers & Literati,” at Maria Curie-Skłodowska University -
“Trompe l’oeil and Modernity” by Judith Barter -
“Gender Equality in the Visual Arts” at Gallery 400 -
“Duchamp and Sweden—On the Reception of Marcel Duchamp after World War II” at Moderna Museet -
“Erased, Replaced, Omitted, Denied: American Art and Negation” at Institut National d’Histoire de l’Art -
“The Afterlife of Iconoclasm: Destruction and Surrogation in Nineteenth-Century New York” by Wendy Bellion -
“Publishing Your Art Historical Research in the United States” by Emily Shapiro -
“The Artist’s Garden—American Impressionism and the Garden Movement” by Anna Marley -
“The Soul of Things—Direct Carving in American Art” by Karen Lemmey -
“Art & Comics, 1960s to Present” at Chicago Cultural Center -
2006–18 Terra Foundation Lecture Series at the Chicago Humanities Festival -
“Hairy Who in Hyde Park” at Reva & David Logan Center for the Arts -
A Conversation with Michael Fried at Terra Foundation Paris Center & Library -
“Barnett Newman’s ‘Formalism’: A Transatlantic Dialogue” by Michael Schreyach & Eva Ehninger -
“Political Portraiture in the United States and France during the Revolutionary and Federal Eras circa 1776–1814” at National Portrait Gallery -
“Artists Rule: Frank Lloyd Wright and the Origins of the House as a Work of Art” by Wendy Hitchmough -
“Traditional Japanese Art as a Means to Organic Architecture” by Kevin Nute -
“Vienna 1910: A Survey of the City’s Architecture and Design Scene during Frank Lloyd Wright’s Visit” by Christian Witt-Dörring -
“L’Impressionnisme et la Politique” at Musée des Impressionnismes Giverny -
“The Americanist Sixties” by Cécile Whiting -
“The Armory Show at 100” at Musée d’Orsay -
“American Art History and Digital Scholarship: New Avenues of Exploration” at Archives of American Art -
“Mark Rothko’s Breakthrough and the Art of Medieval Europe” by Thomas Crow with response by Eric de Chassey -
“American Art in Dialogue with Africa and its Diaspora” at Smithsonian American Art Museum -
“Robert Smithson (1938–1973): Entropy and Memory” at Centre Pompidou -
“Blah, Blah, Blah. Thoughts about Color, Language, and Painting” by Mel Bochner -
“An Architectural Love Affair: Dutch Modernists and the Work of Frank Lloyd Wright” by Wim de Wit -
“The English Arts and Crafts Movement in America: Opposing Ends of the Same Stick” by Anne Mallek -
“Art Across the Black Diaspora: Visualizing Slavery in America” at University of Oxford -
“Allan Sekula” at Centre Pompidou -
“Common Cause: Charles Rennie Mackintosh and Frank Lloyd Wright” by Pamela Robertson -
“Recontextulaizing Neo-Dada: Jasper Johns in Tokyo, 1964” by Hiroko Ikegami -
“Object–Body–Building: Claes Oldenburg and the Poetry of Scale” by Wouter Davidts -
“Father Figure, Mountain Man: Landscape and the Body in the Films of Stan Brakhage” by James Boaden -
“Laughing Matters: Humor in Art” at DePaul Art Museum -
“Mass Modern” by Michael Leja -
“Samuel F. B. Morse’s ‘Gallery of the Louvre’ in Focus” at National Gallery of Art -
“Encuentros: Artistic Exchange between the US and Latin America” at Smithsonian American Art Museum -
“Repositioning Vorticism” at Tate Britain -
“‘A Long and Tumultuous Relationship’ East-West Interchanges in American Art” at Smithsonian American Art Museum -
“American Art in a Global Context” at Smithsonian American Art Museum
